

🚀 Elevate your vision with Sony Alpha 7R V — where AI meets artistry in every frame.
The Sony Alpha 7R V combines a groundbreaking 61MP full-frame BSI CMOS sensor with advanced AI-powered Real-time Recognition autofocus, delivering exceptional image quality and precision tracking. Paired with the premium FE 70-200mm F2.8 GM OSS II telephoto zoom lens, it offers superb sharpness and minimal chromatic aberration throughout the zoom range. Designed for professional photographers and serious enthusiasts, this mirrorless camera features a versatile flip-out touchscreen, dual memory card slots, 5-axis in-body stabilization, and robust connectivity options, making it ideal for high-resolution stills and capable 8K/4K video capture.


| ASIN | B0BKN9PZSG |
| Age Range Description | Adult |
| Aperture modes | F2.8 |
| Are Batteries Included | No |
| Aspect Ratio | 3:2 |
| Auto Focus Technology | Contrast Detection |
| Autofocus | Yes |
| Autofocus Points | 250 |
| Battery Cell Type | Lithium Ion |
| Battery Type | Lithium Ion |
| Best Sellers Rank | #25,783 in Electronics ( See Top 100 in Electronics ) #44 in Mirrorless Cameras |
| Bit Depth | 14 Bit |
| Brand | Sony |
| Built-In Media | Camera Body & Lens |
| Camera Flash | F2.8 |
| Camera Lens | The FE 70-200mm F2.8 GM OSS II delivers superb image quality throughout the zoom range at all focusing distances with two aspherical elements and one XA (extreme aspherical) element to ensure high resolution throughout the image area. |
| Color | black |
| Compatible Devices | Sony E mount |
| Compatible Mountings | Sony E |
| Connectivity Technology | USB |
| Customer Reviews | 4.6 out of 5 stars 265 Reviews |
| Digital Scene Transition | zoom |
| Digital-Still | Yes |
| Display Fixture Type | Fixed |
| Display Resolution Maximum | 61 MP |
| Display Type | LCD |
| Effective Still Resolution | 61 MP |
| Expanded ISO Maximum | 25600 |
| Expanded ISO Minimum | 100 |
| Exposure Control | Multiple |
| File Format | JPEG, RAW |
| Flash Modes | Auto, On, Off |
| Focal Length Description | 70-200 mm |
| Focus Features | Autofocus |
| Focus Mode | Continuous-Servo AF (AF-C) |
| Focus Type | Auto Focus |
| Form Factor | Mirrorless |
| Has Color Screen | Yes |
| Image Capture Type | Stills & Video |
| Image Stabilization | Dynamic |
| Image stabilization | Dynamic |
| JPEG Quality Level | Fine |
| Lens Construction | 3 |
| Lens Correction Type | Aspherical |
| Lens Type | Telephoto |
| Maximum Focal Length | 70 Millimeters |
| Maximum Image Size | 61 MP |
| Metering Methods | VA |
| Minimum Focal Length | 70 Millimeters |
| Minimum Shutter Speed | 30 Seconds |
| Model Name | fe |
| Model Number | ILCE-7RM5 |
| Model Series | Alpha 7 |
| Movie Mode | Yes |
| Night vision | No |
| Number of Diaphragm Blades | 11 |
| Photo Sensor Resolution | 61 MP |
| Photo Sensor Size | Full-Frame |
| Photo Sensor Technology | BSI CMOS |
| Real Angle Of View | 0.26 Radians |
| Remote Included | No |
| Screen Size | 3 Inches |
| Self Timer | 30 |
| Sensor Type | BSI CMOS |
| Shooting Modes | Manual, Movie |
| Skill Level | Professional |
| Special Feature | Image Stabilization |
| Specific Uses For Product | Photography, Videography |
| Supported File Format | JPEG, RAW |
| Supported Image Format | JPEG |
| Total Still Resolution | 61 MP |
| Total USB Ports | 1 |
| Total Video Out Ports | 1 |
| Video Capture Format | MP4 |
| Video Resolution | 2160p |
| Viewfinder | Electronic |
| Viewfinder Magnification | 0.78x |
| White Balance Settings | Auto |
| Wireless Technology | Wi-Fi |
| Write Speed | 10-100 MB/s |
| Zoom | Optical Zoom |
K**B
This is the camera I've been waiting for!
I currently own 2 A7RIII's that I've used professionally for a few years. I was looking to upgrade and checked out the A1 and others in the Sony line. I didn't feel the A1 really fit my needs, or budget, so I waited. I'm glad I did because I love everything about this model. Mainly a portrait and wedding photographer, I wanted to stay with the R line for the resolution capabilities and really didn't need 20 fps or any crazy video capabilities. The A7R5 has a 61 MP sensor that delivers amazing detail in images. I often crop my images and really benefit from the sensor size. Coupled with any G-Master lens, this camera delivers sharp images. I shoot mainly with the 35mm 1.4, 50mm 1.2, the 100mm 2.8 (5.6), and the 70-200 2.8. All deliver exceptional results on this body. Focus/Auto Focus: The Autofocus, as usual, is excellent. You can set the Eye AF to target human, bird/animal, animals, birds, insects, car/train, and Airplane. I haven't used it on anything but my dogs and cats so far, and so far it has been flawless. I used the Eye AF on the A7RIII almost exclusively. It really makes shooting with lenses with really narrow DoF very easy. Additionally, it has human movement AF that keeps focus on the subject even when the eyes aren't visible (like when shooting a subject from behind). I have not really tried out the video focus capabilities because it's winter in PA and too cold to be outside shooting (haha). It has 693 Phase Detection Points too! Menu: The menu has changed styles and I definitely like the change. With the A7RIII, a rarely used the touch screen, but with the new menu system on this, I do and even having it only a week, I can say it's definitely improved. As usual, with Sony Menus, it takes a bit of research to find out what and where everything is. I'm sure with a little practice, the new menu will be extremely usable. Video Capabilities: EDITED July 17, 2023 - One thing to note about this model, and other "R" Models in the Sony Lineup, is that this is a RESOLUTION camera, meant for stills and delivering HIGH RESOLUTION as the "R" in the model name suggests. It is NOT Sony's best video camera in my opinion, and with 10 fps, not the best for shooting stills in sports. If you're a sports shooter, look at the A1 or A9. If you are mainly interested in vlogging or video capabilities, look at the FX3, A7C, or A7S III. Sony has a variety of models to choose from that are tailored for your specific needs. I am 90% portrait photography, so the A7R5 is what I needed. I'm glad they improved the video capabilities, because I do sometimes take video. This can shoot 8K @ 24p and 4K 60p. Way more than I'd really need, but not as good as some other models out there. There are some good videos on YouTube that talk about the video capabilities on this camera and mention the ever painful rolling shutter issue. Flip Screen: The new flip screen design is amazing. I struggled with the tilt screen on the A7RIII for a long time. If you find yourself in a situation where you have the camera extended high above your head, or at any weird viewing angle, the new flip screen is easily visible. Contrast that with the previous models, where you only had a limited angle to view the screen because of the design. With the A7R5, you can view at any angle you desire, which is absolutely amazing. Size: Ergonomically, the size is a little bigger than the A7RIII. I personally like the larger grip because I always felt like the A7RIII was a little small in my hand. The A7R5 has a bigger grip and overall is slightly larger than the III. (In the photos, the A7R5 is on the right, and the A7RIII on the left). Storage: A7R5 has dual SD/CFExpress slots. For the sports photographers, that's another benefit over the A7R3. I most likely won't use CFExpress cards as the cost is fairly prohibitive, but it's nice to know that this body has that capability. For portraiture, SD cards handle everything very well. Side Ports: On the side ports, they've replaced the 'floppy' cover with a hinge design. I'm not sure how I feel about it yet since I haven't hooked up external monitors or anything. They seem pretty solidly built but one would have to use them a lot to test. One thing to note is that if you do have cables plugged into the USB or HDMI ports on this body, it can block the screen a bit. This is overcome by using the flip out mechanism to bring the screen away from the body more. Not a deal breaker at all. Viewfinder/Screen: Beautiful. Monitor is 2,095,000 dots and the viewfinder is over 9,400,000 dots with 100% coverage. Continuous Shooting: It can capture 10 frames per second and caps out at 583 frames (RAW) and 1000 frames (JPG). Pretty beastly. Image Sizes with 14-bit depth (I shoot 3:2 Raw so I get the largest files). 3:2 JPEG / Raw 60 MP (9504 x 6336) 26 MP (6240 x 4160) 15 MP (4752 x 3168) 4:3 JPEG / Raw 54 MP (8448 x 6336) 23 MP (5552 x 4160) 13 MP (4224 x 3168) 16:9 JPEG / Raw 51 MP (9504 x 5344) 22 MP (6240 x 3512) 13 MP (4752 x 2672) 1:1 JPEG / Raw 40 MP (6336 x 6336) 17 MP (4160 x 4160) 10 MP (3168 x 3168) It also has interval shooting, self-timer, electronic shutter (7 fps @ 61MP), 5-axis stabilization and sensor shift, IP streaming capability, WiFi MIMO 5 (5 GHz or 2.4 GHz), Fast/Slow Motion Support. One thing it doesn't have is the GPS Positioning. I'm really happy with the capabilities of this camera and look forward to shooting with it quite a bit. It comes in way less than the A1 on price and since I didn't need that capability, this model is perfect for my needs. Highly recommend! UPDATE: So, I've had the camera for a while now and finally did some shooting with a model friend and we generated these images. I added 2 images to the lineup. The camera is all it's cracked up to be. UPDATE 2 - 16-OCT-2023: Still going strong and I love it even more. I don't even use the A7RIII any more because it seems inferior to this body in terms of resolution and image quality, which is to be expected. I took the III out for a couple shots, and it didn't last long. I realized quickly that the A7R5 is just so much nicer to use. I'm going to be looking for another body in 2024, and I'm considering a backup 5 or maybe something with better video specs... but not sure yet. Still feel the same way about this body as I did when I wrote the review, it's my go-to camera and is still delivering crisp beautiful images with no issues.
J**J
Beast of a camera
Where do I even begin? The Sony A7R V is an absolute masterpiece of camera engineering, and I couldn't be happier with this purchase. I mainly capture weddings, seniors, and video. The 61-megapixel full-frame sensor produces images that are simply breathtaking. The level of detail is incredible; you can crop in significantly and still maintain stunning sharpness and clarity. The dynamic range is phenomenal, capturing detail in both highlights and shadows that I never thought possible. Colors are rich, accurate, and vibrant right out of the camera. This camera is a beast in low-light situations. The ISO performance is exceptional; I've shot at ISO 6400 and even higher with minimal noise and impressive detail retention. Whether it's dimly lit interiors, evening events, or night photography, the A7R V handles it beautifully. Combined with the excellent in-body stabilization, you can capture sharp, clean images in conditions where other cameras would struggle. The AI-powered autofocus is nice to have. It recognizes and tracks subjects with incredible precision, whether it's people, animals, birds, vehicles, or insects. Eye autofocus locks on instantly and doesn't let go, even in challenging conditions. I've shot fast-moving subjects, and the camera stays locked on like magic. It's like having an extra photographer assistant built right into the camera. The build quality is very good; it feels premium and professional in your hands. The articulating touchscreen is intuitive and responsive. Battery life is solid. The in-body image stabilization is excellent for handheld shooting. The menu system has improved significantly from previous models. Yes, it's an investment, but the Sony A7R V delivers professional-grade results that justify every penny. Whether you're a professional photographer or a serious enthusiast, this camera will exceed your expectations. The combination of incredible resolution, cutting-edge autofocus technology, outstanding low-light capability, and overall performance makes this one of the best cameras on the market today. Highly recommended!
A**T
Highly Advanced Camera
This is a vast improvement over my nearly-six-year-old A7Riii for both still and video photography. The 29 minutes video recording limitation (a major annoyance) is gone. Shooting at ISO 3200 results in crisp, low-noise images. Stabilization is improved, although I'll still use a Ronin gimbal for critical video shots that aren't on a tripod. The new tracking focus feature with eye recognition is very good - I was able to do a tracking shot against a group of walkers on a path with numerous bushes between them and I, and the focus on them remained locked; I didn't have to go to manual focus. like that both the mode and EV buttons now have a locking pin so that can't be accidentally changed. The articulating LCD viewfinder, while it was once used in the old A99v, is back and is great. I know it's controversial, but I like the option to close the shutter curtain when turning off the camera so it's less likely to get dust on the sensor when changing lenses, especially when outdoors. I don't like dust particles on my sensor nor having to constantly check and clean it when a lens swap occurs, even if the curtain could sustain damage if one is not careful when doing this. I could go on and on but agree with the other reviewers who rated it 5-Star. Also, the companion Imaging Edge for Mobile software for Android is improved. Putting GPS coordinates on and remote shooting is more, but not totally, reliable. There are two minor drawbacks that merit discussion. 1) battery consumption is higher by at least 25%, especially in video mode, so having extra batteries and high-power charger is vital. 2) It may be quirk that could be fixed in a later firmware update, but even if you separate the Color Tone video from still photo settings, if you set the video to use the S-Log3 LUT/Picture Profile =9 (for highest dynamic range when post-processing) and leave Raw stills set to no S-Log (it's easier in Lightroom that way), if you set the dial mode to Still Photos and then press the Movie button (because you're in a hurry to get a video and have to option to quickly take stills), the recorded movie clip won't be in S-Log3 but unmodified. That's as opposed to setting that mode to Video, where it applies that LUT. So taking the clips into Premiere Pro or similar software can be challenging, since some of them will have the LUT and others will not, and you'll have to do color correction differently as a result. The price of convenience. But as long as you are aware of this quirk, it's not a big deal.
A**O
Powerful camera with much improved auto focus
Fantastic state of the art camera solving many of the drawbacks with previous versions- improved auto focus speed, has a full size hdmi connection, more programmable buttons and more video usability: high speed frame rates. No built in limit on video recording time. Two slots for storage add redundancy. Decent battery life.
C**N
WOW - so glad I decided to replace my outdated camera gear with this technological marvel!
WOW - so glad I decided to replace my outdated camera gear with this technological marvel! As a teen back in the '70's, I discovered a love of photography and, while I never lost that love, life took me in so many directions but none that supported me to scratch that creative itch in a truly satisfying way. It was the cost of the gear! AND the ongoing cost of film processing! Switching over to digital in 2002 reduced the film cost BUT what a sad tradeoff that was! One-megapixel JPEGs just couldn't compare to prints and digital scans from sub $100 film cameras. Fast forward to now. Recently, I got a quality film scanner and started working through the thousands of negatives and slides from that long ago film era. Amazingly (to me), scans from fifty-year-old negatives and slides were far, far superior to the files from the cheap point-and-shoot digital cameras I acquired in 2002 and 2007. More importantly, it reawakened that old love of photography from long ago. So, with more time (and money) on my hands these days, I finally took the plunge into the modern era with this SONY Alpha 7R V. Paired with the Sony FE 24-70 G-Master II lens, I can now take pictures once again that rival those on film that I shot so many years ago. And beyond just the quality of the images that can be captured, the technology (!) of this camera allows the entire process to be either as easy or exacting as I choose in the moment. With so many helpful online videos and guides, the learning process of how to use this beast can also be as easy or technical as I choose in the moment. OK - OK - Yes! This gear is expensive for a mere hobbyist. Even so, it has been worth every penny for the end results I am achieving and the pure pleasure of the ongoing experiences of using it: --It gets me out of the house --I get to go to interesting places --IBIS (in body image stabilization) is a wonderful thing --The myriad ways to autofocus - how did I ever live without them --Take RAW and JPEG files simultaneously --Wirelessly transfer files to my phone (three different methods) --Remote control of the camera via Creator's App (on my phone) Everything I have tried has worked flawlessly (once I understood how to use it). CONS: --The gear is much larger and heavier than my old point-and-shoot gear (which could fit in a purse). A different level of planning is required for traveling by plane. --More technical. Learn everything (or what's the point). Create saved settings to get to quickly when handing it over to others to take shots. --More expensive. Don't ever lose sight of it. As you can tell by this review, I'm a fan. Probably the last camera I will ever need.
G**O
A Game-Changer for Photographers and Videographers
What can I say about this camera? Coming from an A7R II, the upgrade is absolutely night and day. The autofocus is incredible, the level of customization is next-level, and the battery life is outstanding. As always with mirrorless cameras, the weight is a bonus—it’s light but still feels solid in your hands. It’s fast, sharp, and just plain impressive. The 8K capabilities are a bit overkill for me (you’ll need a compatible memory card and a powerful computer to handle it), but it’s nice to have the option. If you’re a photographer looking to upgrade without completely emptying your wallet, this is a fantastic choice. It’s also excellent for video work. Definitely check out the specs and some YouTube tutorials to get the most out of it. Worth every penny!
A**N
Love this camera!
I am in love with my new camera! The new menu layout is intuitive. It is a Sony, so it feels very familiar to my Sony a7III. I was most excited for the auto focus and it did not disappoint.
O**R
I had a bad experience.
As an advanced amateur, I shoot Raw images all the time. Well, they can't be processed or edited with my Apple Photos app. The files can be imported, but they just sit there as grey squares. If I try to edit one, a message pops up---"...NOT SUPPORTED." (The caps are mine.) The only blessing is that jpeg and heif formats come through. But these are 8 and 10 bit formats. Not the 14 bit dynamic range of Sony Raw. I've had three conversations with Sony support and one with the Apple Creative Media Team. The Apple guy was incredibly knowledgeable. He used screen sharing to look at my computer and immediately saw the problem---Sony had not given the required information to Apple. SOMEONE AT SONY WAS ASLEEP AT THE SWITCH. Sony and Apple are pointing fingers at each other; the answer is clear to me. Sony Raw processing seems to work with Adobe Photoshop, but that's not where I do most of my work. The Affinity app by Serif also seems able to process the images. Hundreds and hundreds of camera models are on Apple's approved support list, but this model isn't one of them. The Apple guy tells me that I may have to wait for the next update of its Ventura operating system---in two or three months. I hope that solves the problem. If not, I've wasted $4,000. I have 35,000 images that I've processed with Apple and I'm not about to change. The glimmer of hope----The jpeg and heif images I've taken are outstanding and the image stabilization is amazing. High ISO images at surprisingly low noise levels are a breakthrough. Another tidbit---I have the six year old Sony AR7 Mark II, which still produces excellent images from Raw. It's only the NEW Sony Raw that has the problem. If Sony Raw comes through, I'll revise this review. For now, though, DON'T BUY IT. Or take a chance and use Adobe Photoshop or Affinity for processing.
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