Rear Window - 4K Ultra HD + Blu-ray + Digital [4K UHD]

I definitely felt I had to purchase this movie. It is a classic, with great actors in every moment and though it was Made years ago, it still delivers a very intriguing movie with twists and turns throughout!

I was blown away by how great this classic looks on 4K Ultra HD. The picture quality is spectacular, with sharper details and richer contrast that really brings Hitchcock’s legendary sense of suspense to life. The shadows and lighting feel more natural and immersive than previous transfers I’ve seen, which makes every scene more engaging and cinematic. The audio is clean and faithful to the original mix, so the tension builds beautifully without distraction. This edition is a fantastic way to own one of the greatest thrillers ever made, and it’s absolutely worth having in your collection if you love classic cinema or just great filmmaking.

This was a great movie. Great acting! Great price! 3.99. So much better than todays movies!! Great story line. This is movie I would like to own to rewatch. There isn't any great "actors" like Jimmy (James) Stewart any more. So glad this was on Amazon. So worth the watch!! Thank you Amazon!!

194us Rear window (Alfred Hitchcock, 1954, 112') Written by John Michael Hayes (with whom there is a delightful interview in the features of the dvd, and who won a 1955 Edgar Award for Best Motion Picture), based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr. It was screened at the 1954 Venice Film Festival. The film is considered by many filmgoers, critics and scholars to be one of Hitchcock's best. After breaking his leg during a dangerous assignment, professional photographer L B "Jeff" Jeffries (Stewart) is confined in his Greenwich Village apartment, using a wheelchair while he recuperates. His rear window looks out onto a small courtyard and several other apartments. During a summer heat wave, he passes the time by watching his neighbors, who keep their windows open to stay cool. They include a dancer ("Miss Torso", played by Georgine Darcy), a lonely woman ("Miss Lonelyheart"), a songwriter, several married couples, a middle-aged sculptor, and Lars Thorwald (Burr), a wholesale jewelry salesman with a bedridden wife. Jeff discusses his observations with his wealthy socialite girlfriend Lisa Fremont (Kelly) and his insurance company home-care nurse Stella (Ritter), and becomes obsessed with their theory that Thorwald murdered his wife. He explains their theory to his friend Tom Doyle (Corey), a New York City Police detective, who looks into the situation but finds nothing suspicious. A few days later, the heat has lifted. The lonely neighbor woman chats with the songwriter in his apartment, the dancer's lover returns home from the army, the couple whose dog was killed have a new dog, and the newly married couple are bickering. In the last scene of the film, Lisa reclines beside Jeff, appearing to read a book on foreign travel in order to please him, but as soon as he is asleep, she puts the book down and happily opens a fashion magazine. The film received overwhelmingly positive reviews from critics and is considered one of Hitchcock's finest films. Time called it "just possibly the second most entertaining picture (after The 39 Steps) ever made by Alfred Hitchcock" and a film in which there is "never an instant ... when Director Hitchcock is not in minute and masterly control of his material." The same review did note "occasional studied lapses of taste and, more important, the eerie sense a Hitchcock audience has of reacting in a manner so carefully foreseen as to seem practically foreordained." François Truffaut in the Cahiers du cinéma in 1954 centers on the relationship between Jeff and the other side of the apartment block, seeing it as a symbolic relationship between spectator and screen. Film theorist Mary Ann Doane has made the argument that Jeff, representing the audience, becomes obsessed with the screen, where a collection of storylines are played out. This line of analysis has often followed a feminist approach to interpreting the film. In his book, Alfred Hitchcock's "Rear Window", John Belton addresses the underlying issues of voyeurism, scopophilia, patriarchy and feminism that are evident in the film. He quotes "Rear Window's story is "about" spectacle; it explores the fascination with looking and the attraction of that which is being looked at." Generally, Belton's book asserts that there is more to Hitchcock's thriller than what initially meets the eye. These issues that society faces today are all more than just present in the film, they are emphasized and strengthened. Hitchcock uses sound to convey the thematic elements behind Jeff's behavior and the audience's relationship to his subjective point of view. The music in Rear Window is entirely diegetic, and therefore every character in the courtyard hears the sound and acts based on what they hear. Hitchcock is less interested in reality than in how reality is perceived. Thus his use of entirely diegetic sound illustrates the idea that what we see as the audience is real. 194us - Rear window (Alfred Hitchcock, 1954, 112') -Rare view - 10/10/2012

Handled with care, no damages...the movie is WONDERFUL

DESCRIPTION: When professional photographer L.B. "Jeff" Jefferies (James Stuart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private lives of his neighbors play out across the courtyard. So when he suspects a salesman may have murdered his nagging wife, Jeff enlists the help of Lisa, his beautiful socialite girlfriend (Grace Kelly) to investigate the highly suspicious and intriguing chain of events... Events that ultimately lead to an unforgettable and riveting finale. MY REVIEW: First of all I want to say that the picture quality of this Blu-Ray was superb compared to the original version. Although this was my first time ever viewing the movie, I watched the Theatrical Trailer in the Bonus Features and was amazed by the difference. The movie I watched was clear and vibrant and amazing as opposed to the original which looked washed out in comparison. When it says "Digitally Restored in High Definition" that description is right on the money and I almost had a hard time believing this movie just turned 64 years old! With that being said I have to admit I'm a bit surprised by all the five star reviews. I enjoyed the movie but I didn't love it like most people seemed to. The last thirty minutes or so was definitely the best and is where the action and suspense really pick up. As for Jeff and Lisa, I thought they were both charismatic and witty and that they made a cute couple too. But it was Stella (Jeff's nurse) who I adored and had me laughing out loud a few times. In the end I think this movie has stood up well over the years and am glad I finally got around to watching this classic thriller. NOTE: I really wish Amazon didn't mix up reviews and solely went off of an items ISBN. That's because there are so many different versions, many of which are better than others and often enhance a viewers experience. Each of them also contain varied Bonus Features. This Blu-Ray Edition I bought not only had a Documentary, Interviews, Production Photographs and Trailers, but much more... Below are some facts and information about the movie that I compiled from the back of the case or gathered from other sources. Release Year: 1954 Director: Alfred Hitchcock Running Time: 1 Hour 55 Minutes Image: Color (Technicolor) Genre: Mystery, Thriller, Suspense Rating: PG - Parental Guidance Ultraviolet (UV) Copy: Expires 12/31/2018

テレビ録画してありますがテレビが壊れそうなので、保険がわりにDVD買っておきまします。グレースケリーが好きなので モナコでお墓参りにも行きました

"La finestra sul cortile", prima di essere un thriller indimenticabile, è uno straordinario film sul cinema. Per comprendere il senso di questa affermazione basta porre un parallelismo tra il protagonista "Jeff" Jefferies (interpretato da un magnifico James Stewart) e uno spettatore al cinema: entrambi immobili nella propria sedia ad osservare le vicende che si sviluppano oltre la finestra, oppure proiettate su di un grande schermo. Tutta la vicenda (notissima: un fotoreporter, immobilizzato da una gamba ingessata presso una finestra, assiste alla vita del cortile e scopre un delitto) si svolge attraverso lo sguardo di un individuo. Tutto nel film si organizza secondo la logica dello sguardo, ossia - per estensione - la logica cinematografica. James Stewart è immobile, come lo spettatore nella sala buia. E, come lo spettatore, compie un'operazione di voyeurismo: nell'oscurità osserva senza essere visto, per il tramite di uno strumento ottico. Al proiettore che rende possibile l'operazione al pubblico in sala, si sostituiscono, per il protagonista del film, i suoi strumenti di lavoro. Gli occhi, ed il loro prolungamento: il cannocchiale e la macchina fotografica con il suo teleobiettivo. Ma questo capolavoro di Hitchcock è anche una profonda riflessione sul rapporto uomo donna. Il regista infatti riempie la pellicola di diverse piccole storie che hanno l'amore come punto in comune ed il cortile come centro: ci sono i giovani sposini che fanno l'amore tutto il giorno, il musicista scapolo che si ubriaca e dà feste piene di donne, la bella ballerina mangiauomini, la coppia senza bambini che ha riversato tutto il suo affetto su un cagnolino, la povera zitella in cerca dell'anima gemella. Fra tutte queste storie, le due principali: il legame tra James Stewart e Grace Kelly e la relazione dell'assassino Raymond Burr con sua moglie. Ogni finestra si apre su una sfumatura differente del rapporto di coppia, e ciascuna di queste è sotto la lente di ingrandimento dello sguardo di Jeff, che poi è lo sguardo di ognuno di noi.

Llegó en excelentes condiciones

Un des meilleurs film d'Alfred Hithckock

Formidável filme de um grande realizador cinematográfico, num video muito bom.