Les Bonnes Femmes

Description

Product description CLAUDE CHABROL, A KEY NEW WAVE FILMMAKER AND CONSIDERED THE 'FRENCH HITCHCOCK' FOCUSES ON THE EVERYDAY LIVES OF FOUR YOUNG WOMEN LONGING FOR BETTER THINGS TO CREATE ONE OF HIS BEST AND MOST DISTURBING FILMS. .com The bonnes femmes of Claude Chabrol's film are four shop girls at a small appliance store in Paris. Good-time girl Bernadette Lafont spends her nights in empty flirtations with boorish womanizers, while social-climbing Lucile Saint-Simon withers under the disdainful gaze of her boyfriend's haughty parents. Seemingly confident Stéphane Audran secretly follows her dream of singing on the stage (losing her composure when she recognizes her friends in the audience), and demure Clotilde Joano holds out for the romantic notion of pure, innocent love. It's her story that Chabrol favors when she falls under the gaze of a motorcycle-riding stalker who finally reveals himself to be a shy, lovesick suitor, a Prince Charming in black leather. Les Bonnes Femmes was a flop when released, but has since been embraced as one of Chabrol's best films and a masterpiece of the French new wave. There's a breezy naturalism that invigorates the film: easy, seemingly spontaneous ensemble performances, the immediacy of shooting on location, and a loose, episodic story full of rich detail. But this is no urban fairy tale: the dreams of these girls are frustrated by a tawdry and brutal world in a shocking, sad finale. Never callous or dismissive, there's a fragile beauty to Chabrol's troubled portrait as he stubbornly holds out hope for these dreamers in a delicately melancholy coda. --Sean Axmaker