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Product Description Matt Smith and Karen Gillan star as the new Doctor and his companion in an all-new series of Doctor Who. After his explosive regeneration, the Eleventh Doctor awakes to discover his TARDIS is about to crash! After falling from the sky, he pulls himself out of the wreckage to come face-to-face with young Amy Pond. The Doctor promises to take Amy to the stars. But first they must divert an alien plot that could destroy the Earth. The Doctor makes good his promise, and Amy boards the regenerated TARDIS, ready to take to the stars on a series of wild adventures that will change her life. As always, wherever the Doctor goes, his oldest enemies, the Daleks, are never far behind. They are hatching a new master plan from the heart of war-torn London in the 1940s. But they are not the only strange creatures the Doctor and Amy must face--there are also alien vampires, humanoid reptiles, the Weeping Angels, and a silent menace that follows Amy and the Doctor around wherever they go.Episodes1. The Eleventh Hour 2. The Beast Below 3. Victory of the Daleks 4. The Time of Angels 5. Flesh and Stone 6. The Vampires of Venice 7. Amy's Choice 8. The Hungry Earth 9. Cold Blood 10. Vincent and the Doctor 11. The Lodger 12. The Pandorica Opens 13. The Big Bang desertcart.co.uk Review Sometimes, change is good, as evidenced by Matt Smith's assumption of the mantle of Britain's beloved science-fiction hero, Doctor Who, in this stellar series. Replacing David Tennant, who was arguably the most popular incarnation of the Time Lord since Tom Baker, was an unenviable task for any actor. But relative newcomer Smith--the youngest performer to play the Doctor--makes the role his own within the first few moments of the series opener, "The Eleventh Hour," which introduces his puckish interpretation, as well as companion Amy Pond (Karen Gillan). The pair, whose banter is a terrific mix of screwball humor and light sexual tension, are later joined by Amy's fiancé, Rory (Arthur Darvill), who is not quite whom he appears, as revealed in "The Pandorica Opens." Old enemies such as the Daleks ("Victory of the Daleks"), the Silurians ("The Hungry Earth"), and the formidable Weeping Angels ("The Time of the Angels") test the Eleventh Doctor's mettle, as does the series' central adventure, in which a host of the Doctor's foes, including the Cybermen and the Sontarans, unite to seal him in the fabled Pandorica, an inescapable prison located within Stonehenge. The 13 episodes of Series 5 are thrilling, thoughtful, humorous, and altogether addictive--in short, as good a series of Doctor Who as any that's been produced. When compared to the archival Doctor Who releases, the six-disc set of the Complete Fifth Series comes up somewhat short in the supplemental feature department, but there are still a number of worthwhile extras to complement the episodes. Chief among these are the six commentary tracks, most of which feature newly minted show runner Steven Moffat (Sherlock), as well as Gillan and Darvill, and run the gamut from giggly, lightweight chats to informative looks at the production process. Less interesting are the video diaries by the three series leads, which are amusing but forgettable fluff, as are the outtakes and Doctor Who Confidential Cut-Downs. The Monster Files provides a look at the series' key villains, including the new designs for the Daleks and the monstrous Alliance, which Moffat reveals as being comprised of whatever costumes were available at the time of shooting (!). A barrage of TV spots and promos, including a US spot, round out the extras. --Paul Gaita Review: That Difficult Fifth Series - There is a received wisdom that Russell T Davies' time on Doctor Who divided fans and that he delighted and appalled in equal measure. Well, all that seems a long time ago now, and as nothing compared to reactions to Steven Moffat's first series at the Who helm. Of course, Moffat has a long and accomplished track record, including the underrated Coupling and, in the last year, co-writing the superlative Sherlock and the screenplay for the upcoming Tintin movie. And this is before we even start to consider his contributions to Series 1-4 : The Empty Child/The Doctor Dances, The Girl In The Fireplace, Blink and Silence In The Library/Forest of the Dead. Unlike Davies' broad emotional sweeps, Moffat seemed more adept at dealing with tricksier elements of plotting and continuity, something which would play a large part in series five's arc. Reaction to the series was polarised between those who thought that he had trashed the entire franchise to those, like me, who thought he had breathed new life into it. It was not an unalloyed success, but there were many wonderful highlights to justify the rating. Episode one introduces us to a new Doctor, a new TARDIS, a new companion and, shock horror, new titles! Matt Smith is surprising, looking (as some have noted) like a young man built out of parts of old ones, but sounding as beautifully eccentric and alien as The Doctor should be. Frankly, from the moment of, "Fry something, you're Scottish" and "Fish custard", I was sold. It was an episode that took lots of chances, including the wonderful time lapse sequence where The Doctor first meets Rory. And it was a nice touch to position Smith in the canon in his meeting with the Atraxi (who still sound uncomfortably like a brand of handcream to me). In contrast, the promised thrills and spills promised in episodes 2 and 3 were a bit underwhelming. The Beast Below was a serviceable pot boiler to introduce us further to the new TARDIS occupants, though the much heralded Smilers turned out to be something of a red herring in the larger scheme of the plot. If episode 2 was underwhelming, then the Daleks' appearance in episode 3 was probably the biggest let down of the entire series, feeling as much of a misfire to me as series 3's clunking Daleks in Manhattan. The design of the new generation Daleks aroused huge amounts of anger and negativity. These were almost secondary matters compared to the story, which simply did not work. It was also disappointing that the solid Bill Patterson was not that well used in his role. After this lull, however, things started to pick up again with the Weeping Angels double bill The Time of Angels and Flesh and Stone. Reintroducing the high point of series 3 was a risky gambit, but one which allowed both Smith, Gillan and the returning Alex Kingston some time to develop their characters and really let them fly. The second part in particular was stunningly good. In comparison, the following Vampires of Venice could have been a real disappointment, but happily wasn't, managing to maintain some of the two parter's momentum. What is noticeable by this stage is the crackling dialogue and the rapidly developing interplay between the Doctor, Amy and Rory: it's this kind of writing that the Moffat Who really manages to excel at. Next came the Silurian two parter: The Hungry Earth/Cold Blood. In retrospect, these episodes, while serviceable, are not hugely spectacular. They left me feeling much the same as I had with series 4's Sontaran encounter: glad that they'd been revisited, but not wedged in the mind in the same way other episodes were. Such things are common in mid-series, where it's possible for the pace to drop off a little in anticipation for the run-in to the end. In contrast, Vincent and The Doctor was simply stunning. It's an episode resonating with colour and real emotional power (though some accused it of being emotionally cheap and manipulative), and possibly my favourite full episode of the run. Tony Curran's van Gogh is by turns inspirational, irrational and convincingly tortured; it's a fine performance and does Richard Curtis's script justice. I wasn't expecting much from The Lodger, having a difficult relationship with James Corden. Thankfully for me, the Corden of the The History Boys showed up, instead of the one from Horne and Corden. The main thread of the plot was almost incidental here; we got much more fun from Smith playing for laughs and the rather sweet relationship developing between Corden's Craig and Daisy Haggard's Sophie. It was a fine appetiser for the inevitable finale... ..which didn't disappoint. One of the big criticism's of RTD's time at the helm was that series finales tended to be lots of noise and plots holes colliding in a big messy heap at the end. In Moffat's hands things were very,very different. Things which seemed inconsequential or just wrong (like the jacket in episode 5's forest scene) suddenly took on huge amounts of extra meaning. And of course, there was Moffat's delight in playing with the narrative structure, the timeline and the expectations of the audience. None more so than episode 12's threat from all of the Doctor's adversaries being nothing more than a cypher for the wonders of what was to come in the final episode of the series. The Big Bang manages to make the end of all creation an intensely personal experience, centering everything around Amy and her life. It's a masterstroke, and one that is tightly and nimbly written. The "Something old, something new, something borrowed, something blue" moment had the hairs on the back of my neck standing on end, jumping up and down with glee. The ends that needed tying were tied, while enough was left hanging to bring us into the 2011 run running As mentioned before, the series did have its low points and longueurs, but these are easily outpaced by the highs, of which there are very many. Karen Gillan's Amy Pond has not met universal approval (I think she's fine), while Smith has a claim to have not only prevented himself becoming trapped in Tennant's long shadow, but to have surpassed his forerunner. Smith's Doctor is sparky, funny, occasionally and unexpectedly melancholy, lanky, otherworldy and, of course, obsessed with bow-ties. Series five represents good progress, and bodes well for 2001's split series six. Review: Fab! - Great series of a fab Dr Who. Recommended. Great price.
| ASIN | B003XIIW2Y |
| Actors | Alex Kingston, Arthur Darvill, James Corden, Karen Gillan, Matt Smith |
| Aspect Ratio | 16:9 - 1.78:1 |
| Best Sellers Rank | 4,144 in DVD & Blu-ray ( See Top 100 in DVD & Blu-ray ) 353 in Children & Family (DVD & Blu-ray) 536 in Science Fiction (DVD & Blu-ray) 662 in Box Sets (DVD & Blu-ray) |
| Country of origin | Portugal |
| Customer reviews | 4.8 4.8 out of 5 stars (3,135) |
| Is discontinued by manufacturer | No |
| Language | English |
| Manufacturer reference | 5051561001154 |
| Media Format | Blu-ray, PAL |
| Number of discs | 1 |
| Product Dimensions | 17 x 13.5 x 3 cm; 0.28 g |
| Release date | 8 Nov. 2010 |
| Run time | 9 hours and 54 minutes |
| Studio | 2entertain |
| Subtitles: | English |
| Writers | Chris Chibnall, Mark Gatiss, Simon Nye, Steven Moffat, Toby Whithouse |
D**S
That Difficult Fifth Series
There is a received wisdom that Russell T Davies' time on Doctor Who divided fans and that he delighted and appalled in equal measure. Well, all that seems a long time ago now, and as nothing compared to reactions to Steven Moffat's first series at the Who helm. Of course, Moffat has a long and accomplished track record, including the underrated Coupling and, in the last year, co-writing the superlative Sherlock and the screenplay for the upcoming Tintin movie. And this is before we even start to consider his contributions to Series 1-4 : The Empty Child/The Doctor Dances, The Girl In The Fireplace, Blink and Silence In The Library/Forest of the Dead. Unlike Davies' broad emotional sweeps, Moffat seemed more adept at dealing with tricksier elements of plotting and continuity, something which would play a large part in series five's arc. Reaction to the series was polarised between those who thought that he had trashed the entire franchise to those, like me, who thought he had breathed new life into it. It was not an unalloyed success, but there were many wonderful highlights to justify the rating. Episode one introduces us to a new Doctor, a new TARDIS, a new companion and, shock horror, new titles! Matt Smith is surprising, looking (as some have noted) like a young man built out of parts of old ones, but sounding as beautifully eccentric and alien as The Doctor should be. Frankly, from the moment of, "Fry something, you're Scottish" and "Fish custard", I was sold. It was an episode that took lots of chances, including the wonderful time lapse sequence where The Doctor first meets Rory. And it was a nice touch to position Smith in the canon in his meeting with the Atraxi (who still sound uncomfortably like a brand of handcream to me). In contrast, the promised thrills and spills promised in episodes 2 and 3 were a bit underwhelming. The Beast Below was a serviceable pot boiler to introduce us further to the new TARDIS occupants, though the much heralded Smilers turned out to be something of a red herring in the larger scheme of the plot. If episode 2 was underwhelming, then the Daleks' appearance in episode 3 was probably the biggest let down of the entire series, feeling as much of a misfire to me as series 3's clunking Daleks in Manhattan. The design of the new generation Daleks aroused huge amounts of anger and negativity. These were almost secondary matters compared to the story, which simply did not work. It was also disappointing that the solid Bill Patterson was not that well used in his role. After this lull, however, things started to pick up again with the Weeping Angels double bill The Time of Angels and Flesh and Stone. Reintroducing the high point of series 3 was a risky gambit, but one which allowed both Smith, Gillan and the returning Alex Kingston some time to develop their characters and really let them fly. The second part in particular was stunningly good. In comparison, the following Vampires of Venice could have been a real disappointment, but happily wasn't, managing to maintain some of the two parter's momentum. What is noticeable by this stage is the crackling dialogue and the rapidly developing interplay between the Doctor, Amy and Rory: it's this kind of writing that the Moffat Who really manages to excel at. Next came the Silurian two parter: The Hungry Earth/Cold Blood. In retrospect, these episodes, while serviceable, are not hugely spectacular. They left me feeling much the same as I had with series 4's Sontaran encounter: glad that they'd been revisited, but not wedged in the mind in the same way other episodes were. Such things are common in mid-series, where it's possible for the pace to drop off a little in anticipation for the run-in to the end. In contrast, Vincent and The Doctor was simply stunning. It's an episode resonating with colour and real emotional power (though some accused it of being emotionally cheap and manipulative), and possibly my favourite full episode of the run. Tony Curran's van Gogh is by turns inspirational, irrational and convincingly tortured; it's a fine performance and does Richard Curtis's script justice. I wasn't expecting much from The Lodger, having a difficult relationship with James Corden. Thankfully for me, the Corden of the The History Boys showed up, instead of the one from Horne and Corden. The main thread of the plot was almost incidental here; we got much more fun from Smith playing for laughs and the rather sweet relationship developing between Corden's Craig and Daisy Haggard's Sophie. It was a fine appetiser for the inevitable finale... ..which didn't disappoint. One of the big criticism's of RTD's time at the helm was that series finales tended to be lots of noise and plots holes colliding in a big messy heap at the end. In Moffat's hands things were very,very different. Things which seemed inconsequential or just wrong (like the jacket in episode 5's forest scene) suddenly took on huge amounts of extra meaning. And of course, there was Moffat's delight in playing with the narrative structure, the timeline and the expectations of the audience. None more so than episode 12's threat from all of the Doctor's adversaries being nothing more than a cypher for the wonders of what was to come in the final episode of the series. The Big Bang manages to make the end of all creation an intensely personal experience, centering everything around Amy and her life. It's a masterstroke, and one that is tightly and nimbly written. The "Something old, something new, something borrowed, something blue" moment had the hairs on the back of my neck standing on end, jumping up and down with glee. The ends that needed tying were tied, while enough was left hanging to bring us into the 2011 run running As mentioned before, the series did have its low points and longueurs, but these are easily outpaced by the highs, of which there are very many. Karen Gillan's Amy Pond has not met universal approval (I think she's fine), while Smith has a claim to have not only prevented himself becoming trapped in Tennant's long shadow, but to have surpassed his forerunner. Smith's Doctor is sparky, funny, occasionally and unexpectedly melancholy, lanky, otherworldy and, of course, obsessed with bow-ties. Series five represents good progress, and bodes well for 2001's split series six.
R**D
Fab!
Great series of a fab Dr Who. Recommended. Great price.
S**R
Matt Smith + Karen Gillan + Steven Moffat = Perfection! the best full series of Doctor Who to air in years!
Without a doubt Doctor Who series 5 literally grabs you within the first opening sequence of a newly regenerated Matt Smith as the Eleventh Doctor hanging on for dear life on a TARDIS catapulting itself through time and through the Earth showing stunning cinematic scenery and pure slapstick fun, then the new titles and theme tune! powerful,thematic and scary, just the way it should be by the ever amazingly talented Murray Gold. With The Eleventh Hour we are provided a whole new production and world form the mind of the amazing writer Steven Moffat with a sensational back catalogue of writing and production credits as he takes over from Russel T Davies amazing 5 year run on the show. Of course some were going to be judgmental of his clear pristine direction for fans of the RTD era of Eccleston and Tennant but i say welcome it with visions like that of Tim Burton and very James Cameron style cinematic quality production and taking the simplest of scenarios and creating so much suspense through the direction much like the powerful Alfred Hitchcock...and that's JUST The Eleventh Hour so far let alone the following 12 episodes! now for the episodes themselves- The Eleventh Hour-simply the greatest way to start the series in the entire show's history! not even Rose can match this behemoth of an episode! straight away i fell in love with Matt's doctor and Karen Gillan became instantly likable as a companion(by the end of the series i say she ranks alongside Donna Noble,Jack Harkness and Sarah Jane!)her feistiness,attitude and humor comes through thick and thin and becomes iconic in her own right. Arthur Duvall is also incredibly likable as Rory Williams and he makes a few more appearances later on in the series(more on that later on). We are given quite an apocalyptic situation for a plot line to, more so than Tennant's disappointing final episode. An alien force is threatening to blow up the entire planet if Prisoner Zero (another alien species who is actually rather frightening in appearance) it's an exciting mini-thriller of an adventure and really is fast paced and puts you right on the edge of your seat! 24 eat your heart out! and come the end of the episode, Matt Smith more than proves that he IS the Doctor and we are instantly given the story arc mystery of this series...what is the crack? what is the pandorica? and who or what is the silence? overall a masterful debut and 10/10 gold! The Beast Below-an episode that rather split opinion with fans, i felt the story was strong and the creature effects very effective, but the episode comes off as slightly rushed and if it were 10 minutes or so longer than the audience could really get into the storyline more, but we are given an interesting setting of Starship UK, some ingeniously directed sentences, and the instantly powerful and recognized quotation "I'm The Bloody Queen!" by Queen Liz 10 who makes a very good supporting character and is instantly likable if slightly mysterious. The Smilers are some of the creepiest beings i have ever seen on the show that i feel they're somewhat underused in this storyline, and the winders are very intriguing...but the main twist is what the beast actually is. Despite a few shortcomings and a quickly identified resolution it is a very solidly made episode and demands a few viewings to gain more understanding and actually is a really good episode indeed. 7/10 The Victory Of The Daleks-This is an episode that i actually rather liked despite being another episode which some have distaste for but it brings forth why the Daleks are some of the most powerful and skin crawlingly formidable foes of the entire run of Doctor Who and they provide the scenario, should the Doctor save the earth and let the Daleks run free to create a new empire? or should he destroy the new species of Dalek and also face the destruction of Earth itself? so whatever the outcome is the Doctor must face these repercussions and ultimately whatever the outcome...he has lost! Ian McNeice is a surprising turnout as Churchill with some of the most cuttingly funn quotes you will hear and the new look Daleks despite a mixed reception i think grabs the vibe of the Dalek's in the 70's with a very retro look about them and despite being coloured red,blue,white,yellow and orange imagine a colony of new and improved and vastly more violent Daleks! it's a horrifying thought on so many different levels and i look forward to seeing this! overall i rank this episode an 8/10 and Gatiss' best work of the series yet as he makes full use of the World War setting. The Time Of Angels/Flesh & Tone- makes Blink feel neutered in comparison, this terrifying and horrifically suspenseful two parter is the Aliens to Blink's Alien. It's a full on assault on the nerves and puts you directly on edge, the script is fast paced, the direction is so very cinematic and the settings are so claustrophobic and so wonderfully used for the storyline it creates so many twists and turns throughout and an entire army of Weeping Angels!! it's genuinely scary stuff that i recommend that you don't watch alone in the dark!River Song's return to the show is the icing of the episode's cake and she's much more fully fledged and three dimensional in comparison to her previous Moffat written episode in series 4 Silence In The Library/Forest Of The Dead and by the end of this storyline instantly became a favourite of mine! Alex Kingston really makes her a character so very iconic and super heroine but also so mysterious,who is she? who is the most important man she killed? i imagine Steven Moffat is planning something that will slap us all around the face in awe.Amy is also given a few of the most scariest sequences as she falls victim to a Weeping Angel steadily approaching her out of a TV (it's scarier than The Ring!) and when she becomes slowly stalked and surrounded in the 'forest' in Part 2. An absolutely brilliant two-parter and such a classic! 10/10. The Vampires Of Venice-Rory Williams returns in this romp of an adventure and despite being occasionally slapstick it is beautifully filmed and makes use of it's setting and yet again the script is what makes the episode so darn fun! and the 'vampires' are pretty freaky in a very traditional Hammer Horror style of writing sense. It's a favourite of mine and what i call the guilty pleasure episode of this series, it's alos a bit grim in places and continues that fairytale theme of series 5.This episode is wonderful in so many ways and on so many different levels, 9/10. Amy's Choice-for me this could be the greatest single episode of the series if put in any of the previous episodes ( i even rank it higher than Midnight and Turn Left!) it creates a very surreal scenario and the subdued direction of Murray Gold's soundtrack add's to the mystery of the plotline. The TARDIS crew must make the decision of which dreamworld is the dream and which one is in fact the reality, it is a character growth storyline but also has some of the most hilariously grotesque aliens in recent memory OAPS with a viscous edge! no other could write it than Simon 'Men Behaving Badly' Nye. It's quirky,it's fun but it's also very deep and provides a 'what if?' situation that Amy must have been questioning while on her adventures with the Doctor and having liked her character all the way through this episode made me fall in love with her, playing vulnerability and strength in the blink of a second! Matt Smith shines again and Arthur Duvall is again purely fantastic! Toby Jones makes a very intriguing Dream Lord...with a twist! 10/10 The Hungry Earth/Cold Blood-If in any other series this would be the strongest two parter but with the BIG one to come later and the terrifyingly amazing one prior this episode is the weaker of the bunch, but nevertheless is a brilliant watch that works as one feature length episode as it is rather cinematic, i love the rural scenery(yet again on the series as a recurrent theme!)the Silurians return at their viscous best!it has been somewhat controversial amongst fan bases that they don't have the third eye from their previous appearences on the classic series but they are a malicious tribe and a fabulously detailed in the make up department and re also quite terrifying at the same time. The supporting cast allows for the tension to build in this somewhat Torchwood-esque episode (well it was written by Chris Chibnall!)where the acting plays up to the visual effects. there's a nicely horrific homage to Saw (all i am saying is poor Amy!)towards Part 1's cliffhanger and the end of Part 2 will have you at the Kleenex and also on the edge of your seat. Meera Syal grew into her own as Professor Nasreen in a rather comically dramatic way! this episode in it's own right is stronger viewed in one full swoop as part 2 literally plays up to the suspense of part 1. but i would definitely give this a 10/10 on many levels, a brilliant two part plot. Vincent & The Doctor-Again, this must be a classic episode on so many accounts and if in any other series would be viewed as one of the best! it's quirky,surreal and in many ways 'artistic' and somewhat eccentric. The plotline and science fiction takes a backseat as we delve into the mind of Vincent Van Gogh played superbly by Tony Curran, this may also render the waterworks as the message by the end of the storyline hits you really deep. Some sequences are even really intense with the creature of the plot.Richard Curtis shows why he is an impressive writer and lends the drama,the humour and the action together so very smoothly much like series 5 as a whole has managed to do. This episode is a toure-de-force on many accounts and i love the homages to Gogh's artwork and the visual interpretation's of Starry Night. This is Doctor Who at it's most artistically relevant best! 10/10 The Lodger-Gareth Robert's best episode of his run on the series is this masterful Doctor-Lite (well companion-lite so the case may be as Amy is present in 6 scenes!)James Corden is on top form here as Craig, Matt is just hilarious trying to be a 'human' and playfully slapstick! this is definitely a hidden gem that despite not being entirely perfect makes way for the high on drama and action finale that is to come. 9/10 The Pandorica Opens/The Big Bang-The finale that tops ALL finale's! it has it all and more, each checked spot on the list comes with it's very own superb twist, we have action,adventure,scares,genuine horror,suspense,claustrophibic settings,superb script,skilled direction,iconic sequences,iconic villains,brilliant cast and the most definite cliffhanger to top ALL cliffhangers! this is why Doctor Who is the greatest of British television! TPO begins ith the greatest ever pre-titles sequence the show has ever done! with River Song escaping from her prison cell (WHY is she there?!?! you scream!)which allows for ALL significant characters to be brought back from sries 5 in a full swoop! (Liz 10,Churchill and Vincent across 5 minutes)and to top it all a reference to Jack Harkness in an alien bar and the most visually impressive gag i have EVER seen...Hello Sweetie engraved in the oldest cliff face of the universe! TPO also boasts the most terrifying scene in Doctor Who history as a Cyberman arm comes alive and attacks the Doctor and Amy beneath Stonehenge and a very The Thing/Alien directed cyberman sequence when the head literally sprouts legs (face hugger anyone?!?) it's shocking on many levels. Then you have the iconic shock of the Doctor approaching the alien armies arriving above Stonehenge and the single shot of every iconic foe to be seen on television and the cliffhanger that will have you on the edge of your seat! it crosses time and the universe and the screen encapsulates you in the moment and the universe literally blows up to a silence! it's visually eyegasmic! Part 2 elevates the tension to off the scales as the Daleks are then made TERRIFYING again! an impressive scenery of an apocalyptic Earth and some of the most intese sequences to ever be seen! and the most twists to be seen in a finale! but it all concludes wonderfully and it all pay's off leaving two ends to the plot still open for series 6 next year! WHAT/WHO is The Silence, and WHO is River Song?!?! 10/10. overall, this is the finest set of episodes on one series of the show, the themes are very mature the direction is ALWAYS superb on many levels. Matt Smith is officially MY doctor, Amy Pond is a superb companion, Rory Williams is an amazing supporting character, River Song is definately full of mystery and wonderfully iconic on many levels! this is a must for those who love a genuinely tight knit plot and the most impressive science fiction,thriller,drama in British history! amazing, and the special features are set to be really jam packed full of awesomeness! with Confidentials,video diaries,commentaries and apparently much,much more!
A**L
Doctor Who - Complete Series 5 Box Set This season of Doctor Who is great, but the package I received wasn't! I'm posting this review as a warning to other customers searching for Doctor Who, or other British shows for that matter, because the same reviews come up for different versions of the discs. Specifically, the Doctor Who Blu-Ray discs I bought from Chalkys CA (through Amazon.ca) were (and still are! even though I sent in the 'report incorrect product information link) listed as being "region-free" in the product details. But the discs I received weren't region-free; they were region B/2 only. Blu Ray discs produced for European Blu-Ray players, for example, typically won't play on North American Blu-Ray players. But region-free discs should play everywhere. As it turns out, the Blu-Ray discs I received were for Region B/2--European Blu-Ray players only. When I tried to play the discs, all I got was a black screen. Not even the menu appeared. And of course, because the discs are now opened, I can't return them. Repeated attempts to explain this to the seller and to Amazon have fallen on deaf ears. So how to tell the difference? The North American Blu-Ray discs are at Doctor Who: The Complete Fifth Series [Blu-ray ] The European Blu-Ray discs that are being advertised as region-free (but aren't!) are at Doctor Who - Complete Series 5 Box Set The frustrating thing here is other seasons of Doctor Who (like Season 3: Doctor Who - Series 3 [Blu-ray ]) very clearly have a warning that the discs are for region B/2, warning you they most likely will not play here. But the series 5 Blu-Rays do not have any such warning in the product details. Again, what they show is that they are playable in "All Regions", and they simply aren't. Live and learn I guess, but hopefully no one else gets stuck with useless discs.
F**A
I add the caveat that I am a Doctor Who fan (the modern Doctor Who). This is a great series with some wicked twists and turns. There are really great episodes that are well-written and really grab your attention. The villains were awesome. And not to mention that Churchill was in this series! The new companion Amy Pond is brilliant, clever, and a nice change from the previous companions (although I do miss Rose). Matt Smith's a great doctor, does an awesome job of replacing David Tennant (who I still miss!). The bow tie is definitely super cool and then add to that the wicked suspenders. Great combination! Some aspects of it certainly will anger sticklers (mostly I'm thinking of the iPod coloured Daleks) but most of it is great. It's a series that can be watched by anyone, good family fun. I do agree that it is a bit pricy but it's well-worth it, especially to promote good, quality programming and I am a bit of a sucker for BBC.
S**D
Mi è piaciuta molto. Confezioni Perfette.
空**我
この手のものにはよくありがちですが、なんかどこかで見たことがあるような、いわゆるデジャビュというのでしょうか、、、。思い出してみたら、とてもマイナーなウルトラマンでしたが、ウルトラマンネクサスの設定によく似ているような気がします。でもそれはそれ。楽しめます！
B**O
BBC-America, where first-run "Doctor Who" episodes air in the 'states', is not available to everyone on every cable/satellite system-subscription. Current fans don't need a review ... we're hooked and can't get loose. So ... if you've come here intrigued about what you've heard, but are not sure what it's all about, then Season 5 may be just what you need. It stands on its own for newcomers and old fans like me, alike. Once you've become a fan, then get modern seasons 1-4 with Mssrs. Eccleston and Tennant as previous, highly regarded leads as the "Doctor". There is no way to bring one up to speed on 37 years of series history in a few words. Following great series seasons under Russell Davies lead, Steven Moffat has taken the reigns for a revamped Season 5 with a new Doctor (Matt Smith), new companions (Karen Gillan as Amy and Arthur Darvill as Rory) and compelling episodes wrapped in a season-long story line that concludes with the best 2-part season finale ever crafted in the series, as my take. Mr. Moffat's nickname should be "Captain Hook" for leaving fans hooked at the end of a rope with questions: Why did the Doctor take Amy along in the Tardis for 'no reason at all'? (ep.1 revealed in ep.13) Why is there a crack in the universe in her bedroom wall? (ep. 1/13) What is 'the silence'? When will it 'descend'? (ep. 1/13 and to be continued) Who is River Song? (Alex Kingston, no less and the question is finally asked) Why does she always encounter the Doctor in the wrong place in time? You will NOT get these subtleties in some of the time-edited re-runs; BBC is goofy about that. Nor is its re-run schedule predictable or in sequence. Another hit on BBC - for reasons unknown, many of the fan extras, such as "Doctor Who at the BBC Proms" are all but impossible to get in the states and do not run on BBC-America ... huh??. Then, Murray Gold's updated scores wrap it all up in a nice package with some music that can stand alone. For a sample, search YouTube for "Doctor Who at the Proms 2010" and check out the video for "I Am the Doctor". Go ahead ... open a new browser window and find it ... I'll wait .... If you liked that, search the Prom for "This is Gallifrey/Vale Decum", a fan favorite many have trouble watching. It details the regeneration of the revered David Tennant as he morphs into Matt Smith amid concerns no one could equal Tennant. Not to worry ... Smith quickly came to own the role in his own way. Give it a try .... If you liked that, then you really do have a fancy for mad-cap, off-the-plot science fiction with compelling and refreshing British/Scottish actors who bring hilarious mayhem cloaked in serious drama and fabulous music. Consider DVD - OR - Amazon's very well done download system with the full season at $13-bucks in good looking hi-def under a Windows 7 system. Start with the free preview, then plunge in. Check requirements for a more dated computer. The audio and video clarity is BETTER than the BBC-America first-runs on television. As the Doctor would say, "... no peaking and no 'spoilers'." The ending makes no sense without the beginning. Just sit back, relax and get ready for a roller coaster ride with the Doctor and Amy Pond. Smashing and brilliant.
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