Zoom LiveTrak L-12 Mixer/Multitrack Recorder for Musicians and Podcasters, 12-Input/14-Channel, 5 Powered Headphone Outputs, USB Audio Interface

The main reason I purchased this system is to use it as a backup mixer for live sound events (I run all my channels into a splitter; one set goes to my primary mixer, the other set goes to the Zoom). The device also gives me the ability to multi-track record the events, so this item works perfect for my situation. Here's a host of pros/cons that I've experienced thus far, but overall I'm very happy with the purchase. Amazon shipped the item in an unsealed factory box! It arrived in great condition, but I expected a little more care with the packing/shipping of the item, so that was unusual. The item is lightweight with plastic housing, but it feels like it will hold up (with the proper care). The buttons/faders/knobs do not provide exceptional resistance, but they don't feel super-cheap either. The size of the knobs are also adequate (see photo - notice I put custom labels on my device). The power adapter has a 7' cable - it does seem cheap, but it kinda' "locks" into the L12, which is a cool feature. Relatively speaking, the mixer/recorder is very easy to operate. I purchased a "SanDisk Class 10 - U1 - 128GB SDXC 80MB/s" SD card, which seems to function well, but I haven't tested it to its limits. The pre-amps and built-in effects sound great. It must be noted that with the new firmware update (v.2.0) Zoom has given users access to effects on all the outputs, but there are limits. The effect you choose is "global" so you can only use one effect at a time for the entire system. For example if you want reverb on channel 1 and delay on channel 2, that is NOT an option. If you want to route reverb to the master output, then you can adjust the send efx level for the reverb on each individual channel, but that setting is carried over to all the outputs (ex. A, B, C, D, E). You can control the OVERALL efx return level for each output, but not for each individual track. If you intend to use the recorder for a project where you want to do overdubs and re-takes, then there are some limitations. The device doesn’t have “virtual” tracks (you can’t save tracks in the background) and you can’t “bounce” tracks from one channel to another. My workaround is to keep a computer connected to the L12, and if I want to bounce a track, I restart the device in “Card Reader” mode. Then I access the card with my computer and rename the file to the track I want to “bounce” it to (they are named something logical like “TRACK1, TRACK2” etc.). I can backup tracks by copying them to my computer using the same method, so that’s my workaround for keeping “virtual tracks”. Even with the limitations listed above, this mixer/recorder is great! Setting up my system and recording tracks is a quick process that is very intuitive. I’m very happy with my purchase and I would recommend it for anyone who wants to fulfill similar needs as me.

This is a great music tool for a musician. You can use it so many different situations, and it does a good job in all of them. Here are some examples of how it can be used, and how it performs in those situations both good and bad. Practice: You can plug in a number of different devices to pull material from to work on. I use it to rehearse to songs playing from spotify on my computer connected VIA USB. I can adjust the volume of both the source music and my practice so I can easily isolate problem spots. You can also set aside trouble spots to share with your teacher when you run into problems. It has a built in metronome so you can practice in time, and see how your timing is while you work on different passages. Rehearsal: This thing really rules in a low volume rehearsal situation where everyone wants to use headphone. It has 5 independent aux sends to 1/4" headphone jacks. This gives everyone the ability to hear exactly what they want to. It has built in effects so the singer can have a little bit of reverb on their vocals. All that, and you can record your rehearsal to an SD card both as individual tracks and as a summed mix. The recording feature is super simple. Just select the tracks you would like to record, arm, and record. Throw a large SD card in the unit, and you will be set for weeks of rehearsal. It's also easy to listen to what you just recorded and sort out what happened as a group in different parts of a song. Writing: I will often get an idea in my head. With this it's as simple as come in, turn it on, start recording the idea. I can go back and add tracks from other instruments after I get the basic idea down, and I can even do these to a click. you could use it to stand alone record, but it's editing features are great, so you just drop the files into your computer and work within your favorite DAW. With the built in metronome you don't have to worry about having your computer turned on to be able to track some stuff and be able to drop it right into the computer in time later. Recording: With a built in recorder, and the ability to plug directly into your computer with 12 inputs and one sum, It provides great tools to work with. I play drums, and use an electronic kit to record. I can plug in the individual sends from my drum brain right into the unit and trick like I was at the studio. Super hack record your whole recording session directly on the device as a safety in case there are any issues with the computer recording, or a perfect solo that you didn't hit record for. Zero latency monitoring is great too. Live: I think it is probably more of a sub mixer, but it can do a whole show if you don't have too many instruments. If everyone is using in ear monitors it gives them up to 5 different mixes for that. it has XLR as well as balanced 1/4" outputs for speakers. You can record the whole show and come back and mix it later at home, or directly on the mixer. It has decent live effects and compression to make your show sound great coming out of your main speakers. Rehearsals: I had to go back and add this after my initial review. I feel like this is another area where this really shines. With the pandemic in full swing playing music with other people can be very difficult while trying to maintain social distancing. I have two rehearsal situations currently that I'm using this for. The first is a group where we are all in separate rooms and communicate via microphones. At my station I have my L-12 and mic up my drums with it. I send a stereo mix of the drums to another L-12 in the house via two XLR cables. I get a headphone signal from the other L-12 with a mix of all the other instruments. I can sum that, my drums, and a click in my L-12 and hear and record everything that happens while controlling my drum mix to the board. The second group rehearses outside with me in a garage. In this situation I mic all the other instruments directly and use 4 mics on the drums. This allows me to hear everything that's happening outside the garage, and record all the songs we play. I setup a template inside of Logic Pro X so when I get home I can copy the stems from the SD card and drag and drop them into logic with no real need to mix them since the levels and effects are already set. This results in great recording for all members of the band to review when we get home. Trouble spots: There aren't many trouble spots on this unit, and I'm still giving it the highest rating due the fact that for its issues it still does way more than just about anything at its price point. 1) The compression always writes to the recording and it's not a great compressor. 2) The Preamps aren't great, but they're usualable 3) The file naming system is okay, but pretty close to impossible to change. (Changing a long file name with a click wheel is not how I want to spend 5 minutes on every recording) 4) The faders aren't motorized (you have to set the faders whenever you switch mixes) 5) No individual stereo or mono pairs for monitor out in live situation This is a tool I can definitely get behind. At this or any price point there isn't much else on the market with all of these types of capabilities in a reasonably sized package. I have, and will continue to recommend this to my friends and peers.

This may be a great piece of gear. I don’t have a way of knowing, though, as Zoom did not include the power supply for the unit. I received the box that the power supply came in, but no power supply. This is my first 0 star review. Boo, Zoom. 10/8/17 - revised review. I finally got the power supply from Zoom. I plugged in an SM-58 on channel 1, and an SM-81 on track two, using phantom power. A quick sound test, singing and playing an acoustic guitar, here are my impressions. 1) It’s extremely simple to set up and start recording. Be sure to have a useable SD card, though - the Zoom did not come with one. 2) The pre-amps are very clean. Not as crystal clear as my Apollo Twin, but I didn’t expect them to be. They seem to be especially picky about mic placement and recording volume, but once dialed in, the recordings are clean and clear. 3) Monitoring, either by headphone or speaker, is a cinch, and creating monitor mixes is not too complicated 4) The built-in compression works well 5) The monitor screen is pretty small and hard to see 6) Zoom’s customer support is superb 7) You can download the full manual on the Zoom site. The included pamphlet, though, has more than enough info to get you started. Bottom line: This is an extremely versatile, compact, no-frills board that is easy to get started with, and sounds great. My guess is that these units will fly off the shelves. Perfect for small gigs, home and studio recording.

Excelent product! Very versatile. Only two drawbacks. 1. The effects settings apply to all channels. You cannot apply different effects to different channels. 2. There is no effects send-return on it. But besides that two downsides, it is a portable mixing and recording studio with the right features for live gig and home recording. Big plus: 1. The 5 separate mixes outputs, that I been using for monitoring to in-ear and monitor speakers. 2. Saving all different presets for mixing and recording. Called scenes. Let's me have a preconfigured for full band, acoustic and track based gigs. 3. Small makes it easy to transport and sturdy plastic. No metal in case you have a rough on the road music presentations you may need something tougher. 4. Fully digital, this improved a lot the feedback resilience, and most of band members praise no feedbacks at all in my work on live gigs. 5. From all the effects and settings only compression affects recording. What you record is what comes to the preamp. The recording is saved to SD card. Our you may record with a DAW via interface (or both). Note that max quality up to 96 Khz mono only. 44 and 48 kHz are stereo on stereo channels I heard some pro grade recordings made with this device so do not underestimate what can be done with it. I am a newbie sound engineer who in daytime is a systems administrator. I needed something that have quick good results and low learning curve. Approaching from my digital side, now learning more may go for a bigger analog one where I may need to struggle more with feedback and granular configs. So far so good!

This is the best multitrack recorder I've used at anywhere near this price point. I have a number of eurorack cases, and the large number of inputs makes it easy to take output from a variety of key points in the system and handle them each separately. There's definitely a learning curve, and I wish it had a built-in effects loop, but there are workarounds to the latter, and the former comes with time (and RTFM). I've had mixed experiences with mixers around this size, so it was in and out of my cart more times than I can count, but I'm definitely glad I pulled the trigger.

I bought this to replace a Korg D888, which developed a problem with one of the output jacks after many years of service. The Zoom L-12 is a significant upgrade on the Korg in many respects; the ability to record to an SD card is much more convenient than the onboard HDD of the Korg (even after I had upgraded it to an SSD). The 5 separate headphone mixes and 9 scene memories for mixes provide incredible flexibility. I have yet to use this in a practice or gig setting. Still, even in my home setup, it allows me to feed my bass guitar (via FX pedal) into the desk and then take a bass-only output mix to feed a bass amp (with DI input, which you need if feeding an amp from one of the headphone outputs on this desk). And the mix used for that is saved in a scene, so it can be instantly recalled after switching to whatever mix(es) I may need for a practice/gig setup. The onboard recording is super convenient; I have not used it extensively yet, but one thing missing (compared to the Korg) is the ability to bounce tracks on the desk. Given the ease with which a project could be transferred to a computer (via SD-card sneaker-net), this is not a huge omission, though it could be good to see it added via a firmware update in the future, maybe. (I have no idea if they have plans to do so, but it seems like it would be possible). It may not be suitable for everyone and there are many more options in the mixer/recorder space than when I got my Korg; the Zoom L-12 ticked all my boxes and was by far the best "bang for buck" proposition. Do your own research, but this should definitely be on your list of candidates (or the smaller/bigger siblings, the L8 or L20).

The mixer was delivered with a couple of cosmetic issues. There is a small crack in the outside and it sounds like there is a small piece of plastic loose inside the mixer. The TRS/TS part of the combo jacks are kind of loose, so I am not sure it is working correctly. I'm returning it. It's the first time this happens to me and I hope it never happens again.

Amazing piece of equipment. Love the five headphone outs, and the mixer and sound recording. Haven't tested computer interface yet. Con: Effects are only global so that's my only issue with it. Wish that could be fixed. Should allow per channel and multiple different effects. Warning: Takes a while to learn to use. Especially single led light indicating last known setting and needing to go back to it before slider responds - apparently designed that way to keep from accidentally bumping slider? Anyway, not bad once you know that. Naming new recordings is a pain. Overdubbing takes a lot of button pressing. Bouncing to /from a track - I still haven't figured out how to do that. Pro: Very pristine results. This is why I give it five stars. That and the individual headphone mixing.

Lo recomendable es que por lo menos sepas usar una mezcladora analógica sencilla, porque esta incluye funciones que probablemente a alguien que inicia de cero, les cueste un poco entender. Una vez que comprendes el hecho de seleccionar el canal para hacer los ajustes, el uso se vuelve bastante siemple y parecido a cualquier mezcladora básica. Su tamaño no es precisamente compacto, así que se complica su transporte o uso en exteriores, pero es una opción ideal para instalaciones fijas o semi fijas.

Firstly this is an upgrade for me as I currently have and love the Zoom R16 but wanted more initial recording tracks and features. There is a steep learning curve on the l12. I found more help on YouTube and Internet reviews than from the Zoom documentation which is very weak. I am still learning how to use and plan to use at my next jam. Our band consists of 3 guitars, drums, keyboards and 3 vocals. This gives us 2 more tracks and will experiment with stereo drums on 9/10. Have not used the scenes or the 5 headphone outputs. Will try at a later date The effects also are interesting and will require trial and error. A downside I haven't figured out yet, is how to have different effects on different tracks in the same recording. Seems all tracks can only use 1 effect and tracks can adjust turn on or off or adjust by volume? I cannot connect to my FL Studio DAW on my laptop, so that is disappointing. Requires a very fast SD card (300mbs) and had trouble initially trying to use my old slower one from my R16. Nice feature with the pan and other knobs. Also sound quality improvement noticible over the R16. In general very happy Hope this helps

I was looking for a product to record audio on board for kids' practice sessions and also an audio interface to record into computer and my research pointed to L12. It is highly portable, light and right sized(only slightly bigger than a laptop base ) . It is very easy to set up and start jamming and record but has lot of features which I am still exploring. The only thing I wish it had was an ability to loop guitar or piano .It has an overdub facility but that's not same as looping. But I am not sure that is too much to ask. Also I did not see any DAW bundled.

I’m using the Zoom LiveTrak L-12 for recording live looping performances and often record upto 8 track simulataneously. Overall it’s a very solid and capable mixer/recorder. Pros: 1. Excellent mixer overall with good-sounding preamps. 2. Very flexible routing options. I was able to set up a proper send/return effects loop using Line Out A and return it to a channel, which worked really well. 3. Very few products in this category offer both mixing and multitrack recording in one unit. 4. The bus system is excellent — you can create different mixes for each headphone output, and it can also be repurposed creatively for sends/returns. Cons: 1. The single digital channel strip knob is a bit fiddly. It’s less tactile than mixers like the Tascam Model 12, which has dedicated knobs for more functions. 2. Build quality feels a bit plasticky. 3. No dedicated send/return or aux knobs. 4. Only one onboard effect can be used at a time, and that single effect is shared across all channels. Overall, a very capable and flexible unit if you value routing options, good sound quality (which is the point of such a unit) and built-in recording.

Surpassed my expectations in every way! It's so light and compact and easily transportable to gigs. The pre-amps sound amazing, quiet and clean. Works perfectly in Logic Pro X after installing the driver for it. The on-board effects and compression sound great, as well as the versatile EQ. 5 custom headphone mixes is another fantastic feature. The only thing I can possibly criticize is the fact (I think) that you can only use one chosen global effect for all channels rather than selecting a channel and applying a different type of reverb for each. (But in reality it would maintain a cohesive mix if all the EFX sends sound like the same verb type, It would just be nice to choose to add delay on one track and still have reverb on the others.)