

Buy anything from 5,000+ international stores. One checkout price. No surprise fees. Join 2M+ shoppers on Desertcart.
Desertcart purchases this item on your behalf and handles shipping, customs, and support to Nicaragua.
The Game of Thrones of adult fantasy/horror manga continues in deluxe oversized hardcover editions, collecting Berserk volumes 34–36 in the original oversized serialization format, including three fold-out posters. Griffith's new Band of the Hawk assume their unholy forms to battle the monstrous Kushan emperor and his horde of demons, leaving the terrified Midland citizenry to wonder if their rescuers are another horrific curse. Meanwhile, Guts and his companions seek refuge to repair their ship on a small island that is not the safe haven they'd hoped for—it's a sinister place watched over by an ancient, vengeful god whose power is about to be unleashed! Collects Berserk Volumes 34, 35, and 36. FOR MATURE READERS. Review: Miura carved delirium into ink until every page felt less drawn than unearthed from raw obsession ! - Bought this diabolic goth baby today. Justified every nook and cranny. Every panel is a cathedral of intricate, embellished art. Miura bled on to the pages, OBSCENE violence with ink. Even the most awestruck, fascinated connoisseurs of art would pause before this madness... __________________________ Detailed review : Owning Deluxe Volume 12 of Berserk feels less like buying a book and more like inheriting a strange, sacred relic. What makes it extraordinary is not only the density of the artwork but the eerie sense of presence in the pages. Kentaro Miura had the rare ability to make ink feel alive. His panels breathe. The silence between lines carries weight. Even the negative space hums with tension, like the air before a storm. There is something deeply human buried beneath the brutality. The violence is not spectacle. It is confession. Every twisted creature and impossible landscape feels like a fragment of the artist’s own subconscious dragged into daylight. The result is strangely intimate. When you stare long enough at these pages, you begin to feel the rhythm of a human hand that refused shortcuts, a mind that would rather suffer through perfection than settle for adequacy. What truly separates this volume from ordinary comics is how it functions almost like visual music. Your eye does not simply read the panels. It wanders through them the way one walks through an ancient city, discovering tiny details tucked into corners that were never meant to shout for attention. A background figure, a crumbling tower, a swirl of shadow that exists purely because the artist could not leave the space unimagined. It rewards patience the way great paintings do. And then there is the strange emotional aftertaste. When you close the book, you are left with the quiet awareness that you have witnessed something created with a level of devotion that borders on madness. Not efficient, not market driven, not calculated for speed. Just a human being pushing ink to the edge of what the medium could survive. That is the real reason it lingers on your shelf like a gravitational object. It is not simply something you read. It is something that waits for you. Every time you open it, you are stepping back into the mind of a man who believed that a single page deserved the patience of a lifetime. I bought Volume 12 specifically for those panels. It has the highest re-read value because it captures Miura at his most meticulous, at the absolute pinnacle of his artistry. It’s the kind of book you can open anytime just to admire the artwork. And when you have something like that sitting in your home, you’ll inevitably find yourself returning to it again and again. That’s why, if you’re only planning to buy one or two Deluxe editions, it makes the most sense to choose volumes from the later part of the series, after the Eclipse and the Lost Children arc. Personally, I’d say just get Deluxe Volume 12. Once you see how many breathtaking double-page spreads there are in the chapters it contains, you’ll understand why. If you read those same chapters in the regular Volume 34, you’d probably think, “I should’ve bought the Deluxe.” It almost feels like an art book. The oversized pages finally give Miura’s compositions the space they deserve, and the print quality makes every line stand out. Now imagine buying Deluxe Volume 1 and having those huge, crisp pages filled mostly with dialogue. That’s not to say the early volumes are bad, far from it. But even if you claim you don’t have much of an eye for art, if you’re spending 3k, you naturally want the edition that showcases the very best of what the series has to offer. Review: Its worth it!! - Book is very nice and art style is crazy you should go for it, its really worth the money



















| Best Sellers Rank | #23,608 in Books ( See Top 100 in Books ) #153 in Mangas #257 in Military Fantasy (Books) #266 in Paranormal Fantasy (Books) |
| Customer Reviews | 5.0 out of 5 stars 1,937 Reviews |
M**L
Miura carved delirium into ink until every page felt less drawn than unearthed from raw obsession !
Bought this diabolic goth baby today. Justified every nook and cranny. Every panel is a cathedral of intricate, embellished art. Miura bled on to the pages, OBSCENE violence with ink. Even the most awestruck, fascinated connoisseurs of art would pause before this madness... __________________________ Detailed review : Owning Deluxe Volume 12 of Berserk feels less like buying a book and more like inheriting a strange, sacred relic. What makes it extraordinary is not only the density of the artwork but the eerie sense of presence in the pages. Kentaro Miura had the rare ability to make ink feel alive. His panels breathe. The silence between lines carries weight. Even the negative space hums with tension, like the air before a storm. There is something deeply human buried beneath the brutality. The violence is not spectacle. It is confession. Every twisted creature and impossible landscape feels like a fragment of the artist’s own subconscious dragged into daylight. The result is strangely intimate. When you stare long enough at these pages, you begin to feel the rhythm of a human hand that refused shortcuts, a mind that would rather suffer through perfection than settle for adequacy. What truly separates this volume from ordinary comics is how it functions almost like visual music. Your eye does not simply read the panels. It wanders through them the way one walks through an ancient city, discovering tiny details tucked into corners that were never meant to shout for attention. A background figure, a crumbling tower, a swirl of shadow that exists purely because the artist could not leave the space unimagined. It rewards patience the way great paintings do. And then there is the strange emotional aftertaste. When you close the book, you are left with the quiet awareness that you have witnessed something created with a level of devotion that borders on madness. Not efficient, not market driven, not calculated for speed. Just a human being pushing ink to the edge of what the medium could survive. That is the real reason it lingers on your shelf like a gravitational object. It is not simply something you read. It is something that waits for you. Every time you open it, you are stepping back into the mind of a man who believed that a single page deserved the patience of a lifetime. I bought Volume 12 specifically for those panels. It has the highest re-read value because it captures Miura at his most meticulous, at the absolute pinnacle of his artistry. It’s the kind of book you can open anytime just to admire the artwork. And when you have something like that sitting in your home, you’ll inevitably find yourself returning to it again and again. That’s why, if you’re only planning to buy one or two Deluxe editions, it makes the most sense to choose volumes from the later part of the series, after the Eclipse and the Lost Children arc. Personally, I’d say just get Deluxe Volume 12. Once you see how many breathtaking double-page spreads there are in the chapters it contains, you’ll understand why. If you read those same chapters in the regular Volume 34, you’d probably think, “I should’ve bought the Deluxe.” It almost feels like an art book. The oversized pages finally give Miura’s compositions the space they deserve, and the print quality makes every line stand out. Now imagine buying Deluxe Volume 1 and having those huge, crisp pages filled mostly with dialogue. That’s not to say the early volumes are bad, far from it. But even if you claim you don’t have much of an eye for art, if you’re spending 3k, you naturally want the edition that showcases the very best of what the series has to offer.
V**R
Its worth it!!
Book is very nice and art style is crazy you should go for it, its really worth the money
A**H
Worth the purchase
I received my order after a few days of ordering and it came in mint sealed condition and looks amazing.The only problem is that the seller didn't provide any sort of bubble wrap or cardboard packaging so I was lucky not to receive a damaged volume
J**L
Awesome
Thank you U-read for this great offer and delivering the books without any damages hoping to buy more mangas from you soon
K**A
best manga
page and art quality is just amazing
D**R
Great
Great edition of one the best manga every!
A**D
BERSERK
Exemplaire qualititatif comme d'habitude ! Livre reçu en très bon état ça fait plaisir, merci Amazon !
B**S
Insane
Esse volume é simplesmente insano. Compraria dnv. Consegui ler o livro inteiro sem parar passou rápido. Em quanto a entrega, normalmente todos os berserk deluxe que comprei até agora sempre chegam atrasados.
D**O
great manga
awesome very cool
J**A
Berserk!
Love Berserk. Been buying my boyfriend the whole collection. Arrived sealed and looking brand new. No flaws. Happy with the purchase.
Trustpilot
1 month ago
1 month ago