Electro-Voice RE20-BLACK Broadcast Announcer Microphone with Variable-D | Variable-D XLR mic for podcasting, streaming, voiceover, radio and studio recording with internal pop filter

Hands down my favorite mic. It sounds amazing across a lot of different vovices, it's durable, it's fantastic. Worth every penny.

The RE20 is well known and well received - and I got exactly what I wanted: A professional broadcast microphone. Zero complaints, happy with everything.

Mucho muy contento con mi compra! Mis respetos para este micrófono. Está increíble! Por algo es referente.

This is an industry-standard microphone for a reason. I was looking for a mic that would sound great for voice recording with an untreated space while also being versatile enough for instruments. I was deciding between the Shure SM7B and the EV RE20, and ultimately chose the RE20 because of its flatter frequency response. It did not disappoint. I’d consider this one of the best mid-range dynamic microphones available. While the SM7B is slightly cheaper, it’s also very gain-hungry and often requires an inline preamp. I personally had issues pairing the SM7B with a Focusrite Scarlett, whereas the RE20 performs well without the extra hardware. Around +50 dB of gain is plenty for general voice-over work. The mic arrived with a stand clip, carrying case, warranty card, instruction manual, and a registration code for the serial number. Everything worked perfectly out of the box. The only minor issue was that I needed to tighten the stand clip with a flathead screwdriver, as the weight of the mic caused it to slowly tilt downward. I’ve seen many people mention experiencing a high noise floor with this mic, but if you run into that issue, it may actually be your XLR cable. Don’t cheap out on cabling. I use a custom 15-foot Mogami Starquad cable with Neutrik gold connectors and have had zero noise problems. It did cost around $50, but get a cable that will last you forever instead of some cheap $10 one. The mic has excellent build quality, very good off-axis rejection, and little to no noticeable proximity effect. I mainly use it for gaming and YouTube, but it also sounds great on brass and bass cab. The RE20 does include a built-in pop filter, but I still notice a fair amount of plosives if I speak directly into it. Angling my voice slightly off-axis helps a lot. If you’re choosing between the SM7B and RE20, I’d personally recommend the RE20 for most home setups. I have heard that the SM7B sounds better on guitar cab, but otherwise I’ve just liked the RE20 so much more.

made elsewhere, Im sticking to my SM7B.