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Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art historyโs own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method. Review: Easy to understand - This book does a great job of presenting methods in art history in a way that is easy to understand. Hatt and Klonk also do well with presenting problems with the theories and how they are applied in contemporary art history. Review: Yes! - It was very good and diverse. Outside reading was still used, of course, can't get everything in 1 book. Very good explanations and descriptions.
| Best Sellers Rank | #607,446 in Books ( See Top 100 in Books ) #301 in Mixed Media (Books) #1,510 in Arts & Photography Criticism #2,555 in Art History (Books) |
| Customer Reviews | 4.6 out of 5 stars 155 Reviews |
A**E
Easy to understand
This book does a great job of presenting methods in art history in a way that is easy to understand. Hatt and Klonk also do well with presenting problems with the theories and how they are applied in contemporary art history.
J**E
Yes!
It was very good and diverse. Outside reading was still used, of course, can't get everything in 1 book. Very good explanations and descriptions.
B**S
Great!
Very useful for graduate students and well-written. A must-have book for art history majors! Hatt and Klonk are excellent scholars.
M**S
Definitely a bit dense. Takes a couple times reading ...
Definitely a bit dense. Takes a couple times reading through to grasp the methodologies, but paired with a class on Art History Methodologies, it helps clarify a lot of principles.
M**.
Must Read.
As a general intro into the histories of Art this book is magnificent.
M**A
A comprehensive overview of art historical theories
I had to buy this book for an art history course in college. Nevertheless, if you want a comprehensive background on the development of the field of art history and the different methodologies that go into current art historical analysis, this book is for you!
P**S
Informative BUT...
Yes, this book is incredibly informative. It breaks down the development of Art History. It helps the reader to better understand the field and how it came to where it is today. BUT It is incredibly dry. Many of the things that are taught could be better taught through primary source readings. For example, in a class environment, it would be much easier to understand gaze theory by reading Laura Mulvey's "Visual Pleasure and Narrative Cinema" instead of reading for a page and half while they summarize gaze theory in a feminist context. Yes, it is a tall task to condense the entirety of any discipline into one (short) book, but this book is dull and makes the reader lose interest quickly. I love the subject matter, but I dreaded having assigned readings from this book. What a snore-fest!
G**Y
Propaganda
Had to purchase this book for a class in which we are to study art history. It does so through a very bias lens for roughly half the book before diving deeply into socialist propaganda rather than looking at art itself. This book utilizes ones yearning for artist knowledge to force their ideological jargon upon the reader. If you must buy this book as I have safe guard your internal monolog against it's indoctrinating text.
A**P
Well-written and very informative
This is a set text on my course and unlike some others is accessible, entertaining and at the same time 'academic' and informative. For the art gallery/museum goer it is worth reading for general interest and to get the thought processes going.
D**D
This book is shockingly overpriced
The book is informative and useful. However it is outrageous that a paper back book on art theory, without good reproductions of works of art costs euro 57.90. I think around euro 25-30 would be reasonable.
A**ใผ
What's the beef?
Yes, I really liked this one. Its a really good tour through the various theories of Art History, explaining how they emerged, how they are applied and where these methods seem to come short. They demonstrate however that new methods don't the old, as they often borrow from them in one way or another. There's plenty of room for ideas of your own and I could dispute with them on this point or that, and it would be good to sit down with the authors and have two minutes to argue with them about Foucault,but they're not trying to lay down the law,only explain the arguments going on, which has actually been very interesting reading.
E**N
Easy Introduction to Theory
This is not a complex book. However, for beginners interested in art history or theory of art, it's interesting and easily consumable. Also great for a coffee table read. I would love to read its small chapters in an office waiting room, or as a guest in someone's home. A great book to pick up and put down, without losing its efficacy.
A**A
Very readable and erudite
Provides an accessible insight into different approaches to art history, from Marxism to Feminism, Formalism to Iconography, and so on. Great for students of art studies at all levels and for those interested generally in theories on understanding art.
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