Comedown Machine

Tap out>>>> I listen to this in da car, very good tracks

I fell in love with this album as soon as the beat drops in Tap Out. All The Time is probably the most forgettable song on the album, but I love the chorus. One Way Trigger is one of my favorite Strokes songs in a while. Then It continues with the best song on the album, Welcome To Japan. 80's Comedown Machine really changes the pace of the album, for tje better. Just when the album slows down it jumps right back up with 50/50 which is my least favorite track on the album. Slow Animals is the Strokes song that really makes you hope that they continue with this style previously used in Life Is Simple In The Moonlight. The album again perks up with Partners In Crime, a really catchy, unique, and interesting song. The Strokes really showed their range with Chances, probably the best ballad I've heard in years. Happy Endings has a originaly unique intro, and is yet another catchy pop song. Finally, The Strokes disembark from modern music and go retro like really retro, pre-50's retro, pre-40's retro, you just have to hear it. Call It Fate Call It Karma is just, wow. I really recomend Comedown Machine from a musical perspective. This is by far (musically) the best Strokes album to date. If you think they should revert back to Is This It and do two-chord rock songs then this album is not for you, but if you actually appreciate music then I can't recommend a better current album.

the only song which resembles the "old Strokes" is "All the Time" and MAYBE "50/50". All other songs sound like 80's music, with the exception of the last one, which I don't know exactly what it sounds like. The album opens sending the message right away, since Tap Out has 80's "written" in every beat and riff. Julian is singing in high pitch a lot, sometimes sounding like a woman. The songs are very "elaborated", with more than the basic rhythm/lead guitars that were so typical of them in the first 3 albums. The best songs: Tap Out, Welcome to Japan, and Call it fate Call it Karma. Other very good ones: Slow Animals, Chances, All the time, One way Trigger and Partners in Crime. Good but not great: 50/50, 80's Comedown machine and Happy Ending.

Love the album! The review I previously wrote needs to be redone. I gave it one star because it was skipping. But little did I know it was my fault.... my record player needed to be fine tuned, so I apologize for the initial poor review of the quality of the record. It’s a great product!

The Strokes really moved leaps and bounds ahead of other artists in the goal of producing for vinyl. This album, even simply based on the cover, was made to be listened to on a decent record player. If you’re a fan, this is a must-have in the collection

The vinyl sleeve didn't feel as high quality as I felt it should but other than that, the sound was great and I'm ultimately very happy with this purchase! Keep in mind I am no vinyl expert and these are merely my thoughts after having owned this for a few months now. Would buy from this seller again!

Not bad at all

Only for devoted fans. Honestly i had to listen to it twice before I really started to dig it. Very different than there previous albums. A lots less of there Iconic Guitar rifts but Casablancas comes through with well developed lyrics and tight melodies. More on the Sythn Pop side and definityly connected with Casablancas solo album. The strokes are one of the great bands of the early 21st century dont miss out...

As a hardcore Strokes fan my opinion may be slightly biased, which I have considered before writing this review in order to make it worth reading. Despite this I cannot fault this album, and that is my honest opinion fan or no fan. This album has variety which cannot be seen on any other Strokes album, whilst at the same time keeping within an alternative 80's theme, each song flowing effortlessly on to the next. It is a joy to listen to; my current favourite songs being 'Tap Out', 'Welcome to Japan' and 'Happy Endings' however this changes on a daily basis because every song has different qualities about it, being such a diverse album. New techniques and styles are used, which is parallel to their last LP 'Angles' however, this time it feels professional and works well like it is meant to be that way, rather than almost experimental like with Angles. Overall it sounds like a band that has evolved and improved, making songs that are so different yet are so undoubtably Strokes, because of the powerful hooks and addictiveness that you can only hear from this band. It is hard for them to ever out-do 'It This It' which is the curse of a perfect debut LP, so critics are always lukewarm with any other album they put out. But I can say with certainty that this is yet another intriguing, fresh and perfect album which will remain in my collection for many years to come.

カスタマーレビューを読んで納得すること多数。このアルバムとレビューを読んで、自分が感じたことを書きます。 「IS THIS IT」が発売されたのが２００１年。あれから１２年経つのか。 １２年って長い。生まれたばかりの赤ん坊は小学６年生になり、小学６年生は大学院生か社会人。 大学院生は会社の中堅となってばりばり働いている。社長になっている人もいる。 そう思うと１２年は長い。 だから、ストロークスの奏でる音が変わっていくのは必然で、聴く側の自分だって変わっている。音楽的趣向も。 大学生の時に「IS THIS IT」に出会い、衝撃を受け、あほみたいに聴きまくっていたあの頃が懐かしい。 たぶん「IS THIS IT」は１０００回以上聴いたと思う。 今の自分は、毎日仕事があり、妻と子どもがいる。どんなに好きな音楽でも一日中聴いていることなんてできっこない。 自分の生活に合わせて、音楽との付き合い方も変わるんだと思う。 でも、今回のアルバムを聴いて、久しぶりに続けて３回通り聴いた。ここ３日で１０回以上聴いた。最近の自分にはなかった聴き方。 聴けば聴くほどわくわくしてくる。あ〜、やっぱ好きだと思える。 大丈夫。今もストロークスはずっとずっと好きだ。１２年もの間アルバムを聴く度にそう思わせてくれる ストロークスに感謝です。 今回のアルバムは、「IS THIS IT」が大好きだった自分が、初めて「IS THIS IT」と比較せずに聴けたアルバム。 そういう意味では、新境地を開いてくれたし、１stに匹敵するアルバムなんだと思う。 これからも変わりながら、自分の心をつかむ曲を作り続けてほしいです。

COMEDOWN MACHINE ist ein bemerkenswertes Album der Rocker aus New York. Viele Einflüsse der 80er lassen dieses Album deutlich anders klingen als die vorherigen Alben. Das Tolle dabei: Hier ist anders nicht schlechter, sondern weiterhin richtig gut! Tolle Melodien in oftmals anderem Gewand, aber es bleiben tolle Melodien. Eine mutige und verdammt gute Veröffentlichung, die jeder Fan der Strokes sein Eigen nennen sollte.

O disco é ótimo Mas se vai presentear alguém não compre aqui, nunca entregam na data prevista.

Un groupe n'a pas le droit d'évoluer et changer de direction? Les Strokes le font depuis "Angles" et réussissent vachement bien contrairement à certains groupes de la même époque qui se sont plantés. Alors quoi, faire un 5ème "is this it"???. Arrêtons l'hypocrisie, les fans en seraient tous las. Alors on se fait plaisir et on expérimente sur d'autres horizons sonores tout en gardant le noyau (ceux qui écouteront 50/50 verront bien que les Strokes sont toujours là). Personnellement, depuis "Angles" je redécouvre les Strokes avec un son frais, déroutant mais tellement entraînant. Ces sympas new yorkais ont reçu direct sur leurs épaules l'étiquette "sauveurs du rock'n'roll" avec "is this it", super !! 10 ans plus tard, les Strokes sont toujours là avec la voix de Julian très très calée et un jeu de guitare inégalable. Un petit conseil, tôt le matin ou en fin de journée, allongez vous et fermez les yeux en écoutant "call it karma..." Vous comprendrez tout de suite que vous avez dans les oreilles un groupe qui vaut encore plus qu'il y a 2 ans, 7 ans ou 11 ans.