---
product_id: 73966220
title: "Edgar Payne: The Scenic Journey"
price: "C$5946"
currency: NIO
in_stock: true
reviews_count: 13
url: https://www.desertcart.ni/products/73966220-edgar-payne-the-scenic-journey
store_origin: NI
region: Nicaragua
---

# Edgar Payne: The Scenic Journey

**Price:** C$5946
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- **What is this?** Edgar Payne: The Scenic Journey
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## Description

Edgar Payne: The Scenic Journey [Scott Shields, Lisa Peters, Peter Hassrick, Jean Stern, Pat Trenton] on desertcart.com. *FREE* shipping on qualifying offers. Edgar Payne: The Scenic Journey

Review: Nice one Edgar. - Absolutely beautiful book. Very high quality prints, full page images, all very comprehensive. Gives some background on the artist, but isn’t a textbook about it. The only problem is the price. Hard to justify to my kids that their birthday parties are gonna be in the alley behind the house instead of at Casa Bonita because daddy had to have an art book that cost this much.
Review: Master Studies in Composition and Gesture - Edgar Payne is a great inspirational painter, creating amazing compositions (he wrote a book containing many thumbnail compositions). I enjoy his paintings of the American west (mountains and seascapes). But a fantastic and unexpected treasure in the book as presented by Scott Shields, were the photographs and paintings by Payne in northern France of boats I have lived in France for a year, observed much of the country, and examined many paintings, but in my opinion, no harbour or channel image matches the ability of Payne. Payne's ability to capture boats navigating the water is as skillful as Monet's paintings of train stations and locomotives. In Shield's book, he presents photographs and how Payne translates these images into paintings. I found this fascinating to examine. Before Payne, J.M.W.Tunrer was considered a master of boats and waves. And am sure there are many more that I am not aware of, because of my limited and amateur knowledge. But having sketched boats in Angers, France, boats along the Loire River, and along the coast near St. Malo, I can appreciate the challenge of composition and the difficulty of capturing waves and boats in motion. One time in China, along the Li River in Guangxi Province, I started to draw a bamboo boat, as I drew, the owner walked on board, started the motor, and drove away. I finished the sketch as best as I could. Another day, I took a bamboo boat down the Li River, drawing other boats and riverscapes as I went. These were fantastic instructional experiences. It is clear to see that wherever Edgar Payne travelled he could find opportunities to learn, explore, and express. In art school, much of the time drawing in the studio is spent upon gesture and motion. Payne's ability to depict boats on water may be due partially to his ability to capture the gesture of objects in motion, illustrated by his American west paintings of riders and pack horses and seascapes of ocean waves. Painting horses and riders is not easy, as beginners often find that their living subjects seem more like stone and statues and their compositions simplistic. At sea moving boats, or on hills with moving animals, they are often not exactly in the same perspective, and it is easy to present them in a way where even the public can sense something is not correct about the image. However, Edgar Payne seems to handle this easily. With water in France, he conveys the waves without getting obsessed with the intricate details concerning the reflections and waves in the water (as he did along the American west coast). So while the book features much of Payne's images of the American west, his studies, photographs, and paintings in northern France, are exceptional. I enjoyed Scott Shields' presentation concerning the breadth of Payne's efforts. I encourage enthusiasts to sketch and paint at zoos and along lakes and rivers, making interesting compositions and capturing the gesture of movement. The goal is not always to be successful at creating a masterpiece, but rather to observe, learn, and try. Edgar Payne sets the inspiration and example. I believe that studying Edgar Payne through Scott Shields' book can be very instructive. If one is a linear thinker, Payne's work may still be a mystery. But if one is intuitive and can connect the dots, Payne's work presents the possibilities. This book is much more than a coffee table book filled with pages of great paintings. This book is about how to see, what to feature, and how to express the subject. This book is a treasure. I found the book to be much more helpful than many books about how to draw and paint. I now show this book to anyone interested in painting and drawing who will tolerate listening to me and enduring my long explanations.

## Images

![Edgar Payne: The Scenic Journey - Image 1](https://m.media-amazon.com/images/I/81r3-AiHC4L.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Nice one Edgar.
*by M***L on February 20, 2022*

Absolutely beautiful book. Very high quality prints, full page images, all very comprehensive. Gives some background on the artist, but isn’t a textbook about it. The only problem is the price. Hard to justify to my kids that their birthday parties are gonna be in the alley behind the house instead of at Casa Bonita because daddy had to have an art book that cost this much.

### ⭐⭐⭐⭐⭐ Master Studies in Composition and Gesture
*by B***K on June 26, 2017*

Edgar Payne is a great inspirational painter, creating amazing compositions (he wrote a book containing many thumbnail compositions). I enjoy his paintings of the American west (mountains and seascapes). But a fantastic and unexpected treasure in the book as presented by Scott Shields, were the photographs and paintings by Payne in northern France of boats I have lived in France for a year, observed much of the country, and examined many paintings, but in my opinion, no harbour or channel image matches the ability of Payne. Payne's ability to capture boats navigating the water is as skillful as Monet's paintings of train stations and locomotives. In Shield's book, he presents photographs and how Payne translates these images into paintings. I found this fascinating to examine. Before Payne, J.M.W.Tunrer was considered a master of boats and waves. And am sure there are many more that I am not aware of, because of my limited and amateur knowledge. But having sketched boats in Angers, France, boats along the Loire River, and along the coast near St. Malo, I can appreciate the challenge of composition and the difficulty of capturing waves and boats in motion. One time in China, along the Li River in Guangxi Province, I started to draw a bamboo boat, as I drew, the owner walked on board, started the motor, and drove away. I finished the sketch as best as I could. Another day, I took a bamboo boat down the Li River, drawing other boats and riverscapes as I went. These were fantastic instructional experiences. It is clear to see that wherever Edgar Payne travelled he could find opportunities to learn, explore, and express. In art school, much of the time drawing in the studio is spent upon gesture and motion. Payne's ability to depict boats on water may be due partially to his ability to capture the gesture of objects in motion, illustrated by his American west paintings of riders and pack horses and seascapes of ocean waves. Painting horses and riders is not easy, as beginners often find that their living subjects seem more like stone and statues and their compositions simplistic. At sea moving boats, or on hills with moving animals, they are often not exactly in the same perspective, and it is easy to present them in a way where even the public can sense something is not correct about the image. However, Edgar Payne seems to handle this easily. With water in France, he conveys the waves without getting obsessed with the intricate details concerning the reflections and waves in the water (as he did along the American west coast). So while the book features much of Payne's images of the American west, his studies, photographs, and paintings in northern France, are exceptional. I enjoyed Scott Shields' presentation concerning the breadth of Payne's efforts. I encourage enthusiasts to sketch and paint at zoos and along lakes and rivers, making interesting compositions and capturing the gesture of movement. The goal is not always to be successful at creating a masterpiece, but rather to observe, learn, and try. Edgar Payne sets the inspiration and example. I believe that studying Edgar Payne through Scott Shields' book can be very instructive. If one is a linear thinker, Payne's work may still be a mystery. But if one is intuitive and can connect the dots, Payne's work presents the possibilities. This book is much more than a coffee table book filled with pages of great paintings. This book is about how to see, what to feature, and how to express the subject. This book is a treasure. I found the book to be much more helpful than many books about how to draw and paint. I now show this book to anyone interested in painting and drawing who will tolerate listening to me and enduring my long explanations.

### ⭐⭐⭐⭐⭐ Almost like being there!
*by S***. on March 22, 2014*

Edgar Payne captured the grandeur of the West, the sunlight and shadow, the size of the place and the smallness of man in the landscape. He also did it so simply that it looks easy....but it isn't. As a landscape painter, this book is one of my favorites and also most helpful in terms of brush technique, composition, and color choice. The book doesn't tell you how he did his magic, but a magnifying glass is all you need. This book will transport you to a wonderful place and another time.

## Frequently Bought Together

- Edgar Payne: The Scenic Journey
- Composition of Outdoor Painting
- The Landscape Painter's Workbook: Essential Studies in Shape, Composition, and Color (Volume 6) (For Artists, 6)

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*Product available on Desertcart Nicaragua*
*Store origin: NI*
*Last updated: 2026-03-09*