---
product_id: 1521076
title: "DT 880 PRO Studio Headphone"
brand: "beyerdynamic"
price: "C$30195"
currency: NIO
in_stock: true
reviews_count: 8
category: "Beyerdynamic"
url: https://www.desertcart.ni/products/1521076-dt-880-pro-studio-headphone
store_origin: NI
region: Nicaragua
---

# 250Ω impedance for studio-grade clarity 5Hz-35kHz frequency range for ultra-wide soundstage Replaceable velour ear pads for lasting comfort DT 880 PRO Studio Headphone

**Brand:** beyerdynamic
**Price:** C$30195
**Availability:** ✅ In Stock

## Summary

> 🎼 Hear every detail, feel every beat — the pro’s choice for sonic perfection.

## Quick Answers

- **What is this?** DT 880 PRO Studio Headphone by beyerdynamic
- **How much does it cost?** C$30195 with free shipping
- **Is it available?** Yes, in stock and ready to ship
- **Where can I buy it?** [www.desertcart.ni](https://www.desertcart.ni/products/1521076-dt-880-pro-studio-headphone)

## Best For

- beyerdynamic enthusiasts

## Why This Product

- Trusted beyerdynamic brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Key Features

- • **Built to Last:** Robust German engineering with durable materials built for professional daily use.
- • **Unmatched Comfort:** Soft, circumaural velour ear pads ensure fatigue-free listening during marathon sessions.
- • **Precision Studio Sound:** Semi-open design delivers transparent, spacious audio perfect for mixing and mastering.
- • **Versatile Connectivity:** 3.0m single-sided coiled cable with 3.5mm/6.35mm plugs for seamless integration with all your gear.
- • **True-to-Source Neutrality:** Accurate sound reproduction reveals every detail, empowering confident audio decisions.

## Overview

The beyerdynamic DT 880 PRO is a semi-open, 250-ohm studio headphone engineered in Germany for professional mixing, mastering, and editing. Featuring a wide 5Hz-35kHz frequency response and replaceable velour ear pads, it offers exceptional comfort and precise, neutral sound reproduction. Its durable build and practical 3-meter single-sided coiled cable make it a reliable companion for demanding studio environments.

## Description

The DT 880 PRO (250 ohms) is a semi-open dynamic headphone that is ideal for professional use in studios.

Review: A Wonderful Addition To My Headphone Collection - I would like to preface my review of these headphones with the following: Everybody hears differently, and everyone “listens” differently. We don’t all enjoy the same types of music, and similarly, every set of headphones is not necessarily suited for every genre of music. We all own different source components, and most of us have a limit as to what we are willing to spend on our gear. I believe every headphone review should include a brief summary of the reviewer’s musical tastes, sources, and gear and should always including references to other sets of cans they own, have auditioned, liked, or disliked. With so many variables affecting peoples like or dislike of any pair of phones it is my goal to help those with similar musical tastes and similar gear to determine whether or not these headphones will be a good investment for them personally. So with that in mind; I listen to music in practically every genre. I tend to go through different phases, but I enjoy Mozart as much as Metallica, 80’s one hit wonders and New Orleans Jazz, Lady Antebellum or Lady Gaga, Eminem to Zedd. Music has so much to offer in all genres that one could spend a lifetime discovering new things they like. I use my computer to play all the usual manner of digital files, and an Onkyo C-7030 CD player to handle disk duty. Both feed into my Nuforce Icon DAC/Headphone Amp. The digital files via USB and the CDs via analog RCA (the Onkyo has excellent onboard D/A conversion). I use no equalizer to modify the sound. I will also be receiving a Little Dot MK2 ii in the next couple days and I may update this review once its well broken in. My headphones include Sony MDR-V6s and MDR-7506s, V-Moda Crossfade LPs and M-100s, Audio Technica ATH-M50s, Sennheiser HD 598s and HD 600s (my personal favorite along with these 880s) as well as my 4th pair of Koss Porta-Pros (easy to exchange when you live in Milwaukee) . I’ve tried Grado SR 80s and SR 225s (just too darn uncomfortable), the Beyerdynamics DT 990 Pro 250 ohm, and my son even owns a pair of Beats Solo phones (Yuk). The other day I threw away some old Denon’s (no clue what model, but circa 1990) and a set of MDR V600s that were both totally worn out. I also own lots of buds as well (my Klipsh X10s and S4’s being my favorites). As I briefly mentioned, I had tried the Beyerdynamics DT 990 Pro 250ohm headphones. In fact, I had tried the 990s and returned them prior to purchasing the DT 880 Premium 250 ohm set. The 990 Pros are very well built high quality headphones, I just wasn’t happy with the exaggerated high and low ends and the subdued midrange. I blame myself for not doing enough research prior to that purchase (and for being cheap), and I would still recommend them to people who like that type of sound. They really do sound good, but their signature just wasn’t for me. I’m much happier with the 880s having listened to them for a couple weeks now. They have a much more “up-front” midrange, and while they’re still pretty bright, they don’t have nearly as much “sizzle” as the 990s. To my ears, the 880s sparkle a bit more than my Sennheiser HD 600s, but the Senns have more pronounced mids. The bass seems well defined, though I wouldn’t mind just the slightest bit more of it (and yes, I’m nitpicking). At first I was wanting for more middle from the 880s as well, but after a lot of listening and experimenting with different genres of music I know when to use them and when to use different cans. The soundstage the 880s create is excellent as well. Since I’ve gotten into open headphones, and since I’ve found several pairs that I really like, I find it incredibly difficult to throw on a set of closed cans anymore. I’m also amazed at how the 880’s can sound so big but not leak as much sound as ALL of the other open headphones I own/have tried. I don’t want anyone thinking they don’t leak sound; they just don’t leak as much. Like any other open phone, you need to be in a quiet environment to truly enjoy them, and everyone else in the room will hear what you're listening to. The 880’s power-handling is excellent and I really had to push them to create any type of distortion (Coldplay’s “Magic” will buzz the heck out of my Senn HD 598s well before these 880s or my HD 600s). The 800s can handle complex musical sections without issue, and had no problems whatsoever with anything I threw at them. They are a little less sensitive (db) to input than my HD 600s, but I have no problems driving them with my Nuforce Icon DAC. I am also looking forward to seeing how the 880s (and all my phones) play with my soon to be arriving Little Dot MK2 ii. Another element that I have always felt is essential to a fulfilling headphone experience is comfort, and the DT 880 Premiums excel at it! The 990’s I had were the Pros, and they were a bit tight on my melon. I can’t speak from experience about the 880 Pros, but they do have a different headband (similar to the 990 Pros), and are designed to clamp tighter than the 880 Premiums. It only takes a short time for my 880s to disappear on my head. They do absolutely nothing in terms of discomfort, to take away from the listening experience. As much as I enjoy my HD 650s, they still grab you tighter than the 880 Premiums. If it weren’t for the 600’s oval shape, as compared to the 880’s round cups, I probably wouldn’t be able to wear them (the 600s) for extended periods. If you do a lot of moving around, however, you may want to consider the 880 Pros. As comfortable as the Premiums are, I could easily sneeze them off of my head they clamp so lightly. I like that the velour earcups are replaceable, I have no issue with the long straight cable, though I wish it was detachable, and I appreciate the 3.5 / 6.35 mm screw type plug. The carry case that comes with the premiums is also a nice touch. All in all the Beyerdynamic DT 880 Premium 250 ohm headphones are an excellent set of cans. I’m proud to own them, and I highly recommend them. My only advice to shoppers is that they research the Beyerdynamic line and understand the differences between Pro and Premium, the 32, 250, and 600 ohm impedances, and the unique sound signatures of the different models.
Review: Beyond Satisfied - Hey there, I'm coming in with a review because these are extremely noteworthy. MIGHT I NOTE THAT THE ONES I AM RATING ARE THE PRO 250 OHM'S!!! I had purchased these along with Sennheiser HD598's, and the AKG K-701's. Wow did all of them give an amazing experience. 1. Let's start with the best headphones to jam out and go deaf with. The AKG K-701's... Out of the 3, these require the most juice to power. Once you get its minimum juice from an amp, your sound is amplified at least 10 fold from what you were getting out of a straight 3.5mm jack. Mind you, these sound amazing right out of the box and sound even more amazing AFTER burn in, everything is forward, NOTHING is lacking or hiding. Highs, mids, and lows all there-- just pure bliss. Now mind you, everything is so balanced and well blended that the sound-stage is utter crap. It works too well for monitoring purposes. You won't be able to focus on a bass guitar strum or a vocal solo if you wanted to. The incredibly entertaining sound will make you forget about how uncomfortable the headstrap is, until it finally hits you. My ears hurt, the INSIDE of my ears hurt. You won't realize it, but these headphones push out some really strong frequencies and you will ignore it because of the enjoyment. If you're an EXTREME audiophile who looks to go deaf in the next year or so, by all means! Otherwise, this is where I DO NOT condone the AKG K701's. 2. Sennheiser HD 598's. Extremely warm sound, incredible sound stage, and doesn't take much burn in time at all. These are probably some of the most comfortable headphones I've ever worn. Mind you, the included cable is rather long so it MAY by the only thing that weighs your head down. But these headphones are perfect for monitoring and there is almost no flaw its sound when it comes to monitoring purposes. Or if you're looking for headphones to have a DTS/THX movie experience in, here you are. If you're here to have a wonderful music listening experience, here you go. Burn in these bad boys and you got yourself a worthy investment. But if you're looking for some serious bass, go elsewhere, these are NOT for you. 3. Beyerdynamic DT-880 Pro Headphones (250 Ohm) I was really weary when other reviewers were talking about how neutral they sounded and it made me skeptical. But they just look so comfortable so I said what the hey. Upon arrival and right out of the box, I plugged them up and gave them ago. Neutral? Indeed. I was literally about to return them and then it hit me. The fact that the sound is neutral also makes the sound the MOST malleable! And the sound stage is incredibly huge. THIS is what you want for monitoring. And after a 60-hour burn in of a mixed-genre playlist on shuffle @ 320kbps quality, these became something that beat the Sennheiser HD 598's out of the park for me. The sound was immediately richer in all aspects. The Sennheiser has an impetus on warm sounds, while these become richer all around. Now on that note, these are also NOT for extreme audiophiles who want to go deaf with bass. But if you want pristine clarity, some genuine comfort on your ears, and practically unmatched sound from any other headphones, these are for you. What separates these from the Sennheisers is honestly the honesty in them. That neutrality demonstrates true sound reproduction; what comes out is what you put in. After a burn-in, they just become great all-around headphones, a remarkable investment. If you were to ask me, "Hey, what churns your butter?" I'd say these freaking headphones. *And the comfort on these were just a little tight until I left them wrapped around their box, and boom, whole new world. It's like a pillow wrapped around your head, I would totally sleep in them.* And remember. At the end of the day, to each... his own.

## Features

- Semi-open diffuse-field studio headphone, ideal for professional mixing, mastering and editing
- Perfect for studio applications thanks to their transparent, spacious, strong bass and treble sound
- The soft, circumaural and replaceable velour ear pads ensure high wearing comfort
- Hard-wearing, durable and robust workmanship - Made in Germany
- Practical single-sided cable (3.0m coiled cable)

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN | B001B1QENY |
| Additional Features | Adjustable Headband |
| Age Range Description | Adult |
| Antenna Location | Recording, Music |
| Audio Driver Type | Dynamic Driver |
| Best Sellers Rank | #68,384 in Electronics ( See Top 100 in Electronics ) #1,601 in Over-Ear Headphones |
| Brand | beyerdynamic |
| Built-In Media | Coiled connecting cable, Nylon carrying case |
| Cable Features | Retractable |
| Carrying Case Color | Black |
| Carrying Case Material | Nylon |
| Color | Gray |
| Compatible Devices | Music Production Equipment, Laptops, Desktops, Tablets, Cellphones, Car Audio Systems |
| Connectivity Technology | Wired |
| Control Method | Touch |
| Customer Package Type | Standard Packaging |
| Customer Reviews | 4.6 out of 5 stars 1,402 Reviews |
| Ear Placement | Over Ear |
| Earpiece Shape | Over-ear |
| Enclosure Material | Nylon |
| Form Factor | Over Ear |
| Frequency Range | 5Hz-35kHz |
| Global Trade Identification Number | 00613815977278, 04907034112517 |
| Headphone Folding Features | Over Ear |
| Headphone Jack | 3.5 mm;6.3 mm |
| Headphones Ear Placement | Over Ear |
| Impedance | 250 Ohms |
| Is Autographed | No |
| Item Height | 11.2 inches |
| Item Type Name | Studio Headphones |
| Item Weight | 0.63 Pounds |
| Manufacturer | Beyerdynamic |
| Model Name | DT-880-PRO-250 |
| Model Number | 490970 |
| Noise Control | Sound Isolation |
| Number of Items | 1 |
| Sensitivity | 96.00 |
| Series Number | 490970 |
| Specific Uses For Product | Studio |
| Style Name | Classic |
| Theme | Music Production |
| UPC | 714573526279 714497643359 613815977278 |
| Unit Count | 1.0 Count |
| Warranty Description | 1-year. |

## Product Details

- **Brand:** beyerdynamic
- **Color:** Gray
- **Ear Placement:** Over Ear
- **Form Factor:** Over Ear
- **Impedance:** 250 Ohms

## Images

![DT 880 PRO Studio Headphone - Image 1](https://m.media-amazon.com/images/I/71+aiGifd1L.jpg)

## Available Options

This product comes in different **Color** options.

## Questions & Answers

**Q: does the 250 Ohm version require an amp?**
A: I am happily using the 250 Ohm model without a separate headphone amp. I have it plugged into one of the headphone outputs of a RME UFX for normal use. I have also used it plugged directly into a computer's headphone output. In both cases I am very happy with the performance and volume of the headphones - so my conclusion is no they don't need a headphone amp.However, if you have one use it.

**Q: How comfortable are they?  Are the circumaural?**
A: Definitely circumaural.  In fact, there is room to spare inside the cups.  Ears hardly touch the sides, and my ears are normal or slightly larger.  As for comfort, yes they are some of the most comfortable headphones I've ever had on, and I've tried a lot.  Very light clamping pressure, but sufficient.  Soft velour cup pads are fantastic.  As for sound (although you did not ask), they are phenomenal; just incredible.  I could write an essay on why they're so good, but suffice to say, the best semi open back pro headphones you can possibly get for $300.  I have never regretted buying them.  Alongside my Vitamix blender, they are probably my favorite purchase ever.

**Q: what kind of cable does it feature?**
A: When slack, the "phone-coil cord" cable length runs around 4 ft. and can stretch comfortably to approximately 10 ft.- long enough to move around in most studio situations. The jack is 1/8" with a screw-on 1/4" adapter.

**Q: How do these compare to the DT-990 Pros--250ohm?**
A: If anyone's interested, I just returned the DT990 Pro 250 Ohm in favor of the DT880 Pro 250.  Haven't gotten the 880s yet but if what I've read is accurate the have to be a better choice for me.  I couldn't stand the 990s any longer.  VERY over colored in the high end and the bass would give a bowling ball a headache.  Totally blanketed the midrange. Might be the ticket for gamers, over the top CGI heavy movies, or if you like over emphasized bass in your music.  Just not accurate at all.

## Customer Reviews

### ⭐⭐⭐⭐⭐ A Wonderful Addition To My Headphone Collection
*by B***O on June 25, 2014*

I would like to preface my review of these headphones with the following: Everybody hears differently, and everyone “listens” differently. We don’t all enjoy the same types of music, and similarly, every set of headphones is not necessarily suited for every genre of music. We all own different source components, and most of us have a limit as to what we are willing to spend on our gear. I believe every headphone review should include a brief summary of the reviewer’s musical tastes, sources, and gear and should always including references to other sets of cans they own, have auditioned, liked, or disliked. With so many variables affecting peoples like or dislike of any pair of phones it is my goal to help those with similar musical tastes and similar gear to determine whether or not these headphones will be a good investment for them personally. So with that in mind; I listen to music in practically every genre. I tend to go through different phases, but I enjoy Mozart as much as Metallica, 80’s one hit wonders and New Orleans Jazz, Lady Antebellum or Lady Gaga, Eminem to Zedd. Music has so much to offer in all genres that one could spend a lifetime discovering new things they like. I use my computer to play all the usual manner of digital files, and an Onkyo C-7030 CD player to handle disk duty. Both feed into my Nuforce Icon DAC/Headphone Amp. The digital files via USB and the CDs via analog RCA (the Onkyo has excellent onboard D/A conversion). I use no equalizer to modify the sound. I will also be receiving a Little Dot MK2 ii in the next couple days and I may update this review once its well broken in. My headphones include Sony MDR-V6s and MDR-7506s, V-Moda Crossfade LPs and M-100s, Audio Technica ATH-M50s, Sennheiser HD 598s and HD 600s (my personal favorite along with these 880s) as well as my 4th pair of Koss Porta-Pros (easy to exchange when you live in Milwaukee) . I’ve tried Grado SR 80s and SR 225s (just too darn uncomfortable), the Beyerdynamics DT 990 Pro 250 ohm, and my son even owns a pair of Beats Solo phones (Yuk). The other day I threw away some old Denon’s (no clue what model, but circa 1990) and a set of MDR V600s that were both totally worn out. I also own lots of buds as well (my Klipsh X10s and S4’s being my favorites). As I briefly mentioned, I had tried the Beyerdynamics DT 990 Pro 250ohm headphones. In fact, I had tried the 990s and returned them prior to purchasing the DT 880 Premium 250 ohm set. The 990 Pros are very well built high quality headphones, I just wasn’t happy with the exaggerated high and low ends and the subdued midrange. I blame myself for not doing enough research prior to that purchase (and for being cheap), and I would still recommend them to people who like that type of sound. They really do sound good, but their signature just wasn’t for me. I’m much happier with the 880s having listened to them for a couple weeks now. They have a much more “up-front” midrange, and while they’re still pretty bright, they don’t have nearly as much “sizzle” as the 990s. To my ears, the 880s sparkle a bit more than my Sennheiser HD 600s, but the Senns have more pronounced mids. The bass seems well defined, though I wouldn’t mind just the slightest bit more of it (and yes, I’m nitpicking). At first I was wanting for more middle from the 880s as well, but after a lot of listening and experimenting with different genres of music I know when to use them and when to use different cans. The soundstage the 880s create is excellent as well. Since I’ve gotten into open headphones, and since I’ve found several pairs that I really like, I find it incredibly difficult to throw on a set of closed cans anymore. I’m also amazed at how the 880’s can sound so big but not leak as much sound as ALL of the other open headphones I own/have tried. I don’t want anyone thinking they don’t leak sound; they just don’t leak as much. Like any other open phone, you need to be in a quiet environment to truly enjoy them, and everyone else in the room will hear what you're listening to. The 880’s power-handling is excellent and I really had to push them to create any type of distortion (Coldplay’s “Magic” will buzz the heck out of my Senn HD 598s well before these 880s or my HD 600s). The 800s can handle complex musical sections without issue, and had no problems whatsoever with anything I threw at them. They are a little less sensitive (db) to input than my HD 600s, but I have no problems driving them with my Nuforce Icon DAC. I am also looking forward to seeing how the 880s (and all my phones) play with my soon to be arriving Little Dot MK2 ii. Another element that I have always felt is essential to a fulfilling headphone experience is comfort, and the DT 880 Premiums excel at it! The 990’s I had were the Pros, and they were a bit tight on my melon. I can’t speak from experience about the 880 Pros, but they do have a different headband (similar to the 990 Pros), and are designed to clamp tighter than the 880 Premiums. It only takes a short time for my 880s to disappear on my head. They do absolutely nothing in terms of discomfort, to take away from the listening experience. As much as I enjoy my HD 650s, they still grab you tighter than the 880 Premiums. If it weren’t for the 600’s oval shape, as compared to the 880’s round cups, I probably wouldn’t be able to wear them (the 600s) for extended periods. If you do a lot of moving around, however, you may want to consider the 880 Pros. As comfortable as the Premiums are, I could easily sneeze them off of my head they clamp so lightly. I like that the velour earcups are replaceable, I have no issue with the long straight cable, though I wish it was detachable, and I appreciate the 3.5 / 6.35 mm screw type plug. The carry case that comes with the premiums is also a nice touch. All in all the Beyerdynamic DT 880 Premium 250 ohm headphones are an excellent set of cans. I’m proud to own them, and I highly recommend them. My only advice to shoppers is that they research the Beyerdynamic line and understand the differences between Pro and Premium, the 32, 250, and 600 ohm impedances, and the unique sound signatures of the different models.

### ⭐⭐⭐⭐⭐ Beyond Satisfied
*by K***O on May 6, 2013*

Hey there, I'm coming in with a review because these are extremely noteworthy. MIGHT I NOTE THAT THE ONES I AM RATING ARE THE PRO 250 OHM'S!!! I had purchased these along with Sennheiser HD598's, and the AKG K-701's. Wow did all of them give an amazing experience. 1. Let's start with the best headphones to jam out and go deaf with. The AKG K-701's... Out of the 3, these require the most juice to power. Once you get its minimum juice from an amp, your sound is amplified at least 10 fold from what you were getting out of a straight 3.5mm jack. Mind you, these sound amazing right out of the box and sound even more amazing AFTER burn in, everything is forward, NOTHING is lacking or hiding. Highs, mids, and lows all there-- just pure bliss. Now mind you, everything is so balanced and well blended that the sound-stage is utter crap. It works too well for monitoring purposes. You won't be able to focus on a bass guitar strum or a vocal solo if you wanted to. The incredibly entertaining sound will make you forget about how uncomfortable the headstrap is, until it finally hits you. My ears hurt, the INSIDE of my ears hurt. You won't realize it, but these headphones push out some really strong frequencies and you will ignore it because of the enjoyment. If you're an EXTREME audiophile who looks to go deaf in the next year or so, by all means! Otherwise, this is where I DO NOT condone the AKG K701's. 2. Sennheiser HD 598's. Extremely warm sound, incredible sound stage, and doesn't take much burn in time at all. These are probably some of the most comfortable headphones I've ever worn. Mind you, the included cable is rather long so it MAY by the only thing that weighs your head down. But these headphones are perfect for monitoring and there is almost no flaw its sound when it comes to monitoring purposes. Or if you're looking for headphones to have a DTS/THX movie experience in, here you are. If you're here to have a wonderful music listening experience, here you go. Burn in these bad boys and you got yourself a worthy investment. But if you're looking for some serious bass, go elsewhere, these are NOT for you. 3. Beyerdynamic DT-880 Pro Headphones (250 Ohm) I was really weary when other reviewers were talking about how neutral they sounded and it made me skeptical. But they just look so comfortable so I said what the hey. Upon arrival and right out of the box, I plugged them up and gave them ago. Neutral? Indeed. I was literally about to return them and then it hit me. The fact that the sound is neutral also makes the sound the MOST malleable! And the sound stage is incredibly huge. THIS is what you want for monitoring. And after a 60-hour burn in of a mixed-genre playlist on shuffle @ 320kbps quality, these became something that beat the Sennheiser HD 598's out of the park for me. The sound was immediately richer in all aspects. The Sennheiser has an impetus on warm sounds, while these become richer all around. Now on that note, these are also NOT for extreme audiophiles who want to go deaf with bass. But if you want pristine clarity, some genuine comfort on your ears, and practically unmatched sound from any other headphones, these are for you. What separates these from the Sennheisers is honestly the honesty in them. That neutrality demonstrates true sound reproduction; what comes out is what you put in. After a burn-in, they just become great all-around headphones, a remarkable investment. If you were to ask me, "Hey, what churns your butter?" I'd say these freaking headphones. *And the comfort on these were just a little tight until I left them wrapped around their box, and boom, whole new world. It's like a pillow wrapped around your head, I would totally sleep in them.* And remember. At the end of the day, to each... his own.

### ⭐⭐⭐⭐⭐ 880 pro vs 770 pro for music production?
*by V***Y on August 13, 2023*

When it comes to music production, having the right pair of headphones can make all the difference. As a producer, I had the opportunity to test two popular models by beyerdynamic, namely the Dt 880 250 Ohm Pro and the Dt 770 250 Ohm Pro. Both of these headphones are praised for their quality, but how do they stack up against each other for music production? Here's my detailed comparison: beyerdynamic Dt 880 250 Ohm Pro: - Sound Signature: The Dt 880 Pro offers a balanced and neutral sound profile. The mids and highs are crisp and clear, allowing for accurate mixing and mastering. - Comfort: With its open-back design, the Dt 880 Pro provides long-lasting comfort during extended studio sessions. - Build Quality: Robust and durable, these headphones are designed for professional use. - Bass Response: While the bass is present and accurate, it doesn't overpower the mix, allowing for a true representation of the audio. beyerdynamic Dt 770 250 Ohm Pro: - Sound Signature: The Dt 770 Pro is known for its more emphasized bass response. While it can be appealing for listening, it might add too much bass during production, leading to an unbalanced final mix. - Comfort: With cushioned ear cups and adjustable headband, these headphones offer comfort during long sessions. - Build Quality: Like the Dt 880, the Dt 770 is also built to last, with high-quality materials. - Bass Response: The bass in the Dt 770 Pro can be intense. While some producers may appreciate this, it might not translate well to other speakers, as the bass could be overrepresented in the final mix. Conclusion: Both the beyerdynamic Dt 880 250 Ohm Pro and Dt 770 250 Ohm Pro have their merits in the realm of music production. The choice between them may come down to personal preference and the specific requirements of your workflow. If you need a more balanced and neutral sound for precise mixing and mastering, the Dt 880 may be the better choice. On the other hand, if you prefer a more bass-heavy sound, the Dt 770 could be appealing, but be cautious, as it may lead to an unbalanced result in your export. In my experience, I found the Dt 880 to be more suitable for my music production needs, allowing for a fair representation across the frequency spectrum. Both models are undoubtedly top-notch, but consider your specific needs in production to make the right choice.

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