







🎤 Elevate your audio game with the ultimate XLR-over-Ethernet snake!
The Cable Matters XLR Audio Over Ethernet Snake is a 4-channel audio solution featuring two boxes with 4XLR male and female pigtails. Compatible with EtherCON connectors, it delivers secure, lockable Ethernet connections that carry analog, digital (AES/EBU), and DMX signals. Designed for professional audio setups, it offers flexible configurations and a compact, durable form factor ideal for live sound and studio environments.
| ASIN | B0CH3VJLCJ |
| Best Sellers Rank | 12,050 in Musical Instruments & DJ ( See Top 100 in Musical Instruments & DJ ) 8 in Multicore Cables |
| Guaranteed software updates until | unknown |
| Item model number | 500116 |
| Manufacturer | Cable Matters |
| Package Dimensions | 17.4 x 15.5 x 7.9 cm; 700 g |
M**N
Pin1 not Connected
Pin1 not connected on any of the 4 XLR connections [This is not shielded] - so therefore does not work with Phantom Power on Microphones
C**S
Cat cables or normal stage box
Got these to try out. Worked OK but you really need to buy stage grade cable. The cost combined for i would rather buy a stage box with comi Jack's.
R**R
After using a shielded network cable we were able to send clear audio over 75 ft with no problems. This is a great device to transmit up to 4 channels of clean audio to a remote destination using one category cable (at least cat 5e, we tested with cat 6). The Cable Matters is the lowest cost XLR extender with results this good. Very solid product that will stay in my kit for future work. Have not tested over a switched network, only tested point-to-point.
S**N
This is a well crafted piece of equipment. Very easy to use and setup. For a function this is invaluable as it is much easier and safer to hide a Cat6 cable than the normal snake. I have used this multiple times over 100 ft of cable and the functionality and connectivity of this piece of equipment was well worth the price.
R**.
Works great. Haven't had any issues with this product.
R**T
**Why 4 stars?** Because while there are competing products with superior build quality and premium components, this unit delivers solid performance at a fraction of the cost. For the money, it’s a smart buy. Some sellers claim these boxes won’t carry phantom power. That’s inaccurate. They absolutely will IF you use shielded Ethercon cables and connectors. A standard RJ45 won’t ground the connection properly, so phantom power won’t pass. For non-phantom applications, a regular ethernet cable will work, but expect increased susceptibility to noise and interference due to lack of shielding. The build quality is more than adequate for typical use. The cable jackets on the tails feel durable, and the connectors are Neutrik-style with gasketed housings that mate cleanly with Neutrik or Switchcraft gear. That means fewer dropouts, fewer clicks, and a more stable connection. The weak link is the mounting flange for the tails. It’s plastic, and while functional, it lacks the ruggedness of a metal flange with rubber bushings. I anticipate it may crack over time, but the housing screws are easily accessible. If that happens, I’d upgrade the flange and keep the unit in service. I ran a quick test using an Audio-Technica 4050 over a 5-foot Ethercon cable versus a direct board input. Noise floor, RMS, and sample values were virtually identical. The product claims support for cable runs up to 300 feet, and based on my short-run test, I’m confident signal integrity holds up well. Any degradation would likely stem from cable length or using unshielded Cat5e—not the box itself. Even higher-end units like the Radial Catapult don’t appear to include circuitry to compensate for long runs, so this product holds its own in that regard. It might be interesting to test it on a live network just to see what happens. Bottom line: this box sacrifices in the right places. The sound quality is unaffected, the connectors are solid, and the tails are well shielded. I recommend it to anyone needing reliable signal transmission over distance without dropping serious cash on analog snakes or pricier audio-over-ethernet solutions.
C**E
I am in a band that plays 2 - 3 times a month and typically we need to provide our own PA. I am always looking for ways to simplify our setup and downsize our gear. I used these to replace a couple of snakes that worked fine, but were heavier and bulkier than these. I also got the LyxPro Ethercon. I am old scholl so was skeptical about sending audio over ethernet, but after doing a lot of research I was convinced they would be a good solution and after using them for a couple of months now they have worked great and there is no loss of sound quality that I can detect.
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